| Content | The Behringer BA 19A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule and XLR connection, BA 19A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BA 19A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure level.
Switch the Presence Filter and Change the Sound
The BA 19A features a switchable presence filter which allows you to tailor the sound characteristics to different sound requirements and styles. The filter is adjusted via a slide switch on the microphone with different positions to boosts the presence and to boost the joy.
Place It and You Won’t Ever Replace It
Place your Behringer BA 19A inside the kick drum and point towards the beater and you will capture the attack as you want it. You also can position the mic just inside the drum at the air hole, you will capture more weight and less attack. This is how you capture the best of both worlds.
Features:
Condenser boundary microphone for acoustic instruments
Frequency response for kick drums, piano and bass-heavy instruments
Integrated preamplifier for outstanding signal integrity
Half-cardioid polar pattern minimizes background noise and feedback
Switchable filters for stronger lows and high-frequency attack
Extremely high signal output which lets the sound cut through
Requires no external mounting
Impact-resistant carrying case included
Rugged, reliable metal construction
3-Year Warranty Program
Designed and engineered in Germany
Behringer BA 19A; Condenser boundary microphone for acoustic instruments; Frequency response for kick drums, piano and bass-heavy instruments; Integrated preamplifier for outstanding signal integrity; Half-cardioid polar pattern minimizes background noise and feedback; Switchable filters for stronger lows and high-frequency attack; Requires no external mounting; impact-resistant carrying case included; Frequency response 50 Hz to 18 kHz; Impedance 250 Ohms; Phantom Power 48V; Sensitivity -53 dB ±3 dB @ 1 kHz (1 V / Pa); weight 493 g |
Condenser
Lightweight, sensitive diaphragm. Precisely and smoothly captures sound nuances. Powered by battery or phantom power supply.
Recommended Uses
Conference/Installed
Available Options
MX396C/DUAL Dual-Element 0-180 Degrees, Cardioid, back or bottom exit cable, mute output, LED input
MX396/TRI Dual-Element 90-0-90 mic, adjustable to 120-120-120 degrees, Cardioid, back or bottom exit cable, mute output, LED input
The Microflex® Multi-Element Boundary microphone delivers a unique and versatile tool for conference room installations.
Clean and simple in appearance, Multi-Element Boundary mics come in two or three element configurations, combining the coverage of multiple microphones into one small, compact package.
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Designed for Broadcast, House of Worship, Pro Music, and other applications.
Half-cardioid polar pattern
Boundary layer
Ultra-thin profile (16 mm) housing
Rubber non-slip bottom pad and strong steel screen
Integrated pop filter
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Back Electret Condenser
Finish Non-reflecting Black
Finish White
Impedance, Low-Z balanced 200 Ω
Mic Type Boundary
Open Circuit Voltage 25 mV/Pascal
Polar Pattern Cardioid
Wired/Wireless Wired
Height 16 mm (0.63“)
Width 94 mm (3.7“)
Depth 123 mm (4.84“)
Weight Net 12.63 oz (358 g) |
About the AKG Acoustics CBL 410 PCC
The AKG CBL 410 PCC Conference Microphone Set (Black) is a simple to use, plug and play desktop microphone for use with any PC or laptop. It improves audio quality incredibly when making a conference via VOIP. The microphone reproduces the voice with a clear and natural sound.
With its 3.5 mm stereo jack, it is a 100% plug and play device. No drivers are needed. Its ability to be cascaded makes the CBL 410 PCC the perfect tool for modern communication for both single person use in the office and/or multi-person use in a modern meeting room.
This microphone provides optimum intelligibility and audio quality for your meetings. The CBL 410 PCC is also an excellent choice for recording applications.
AKG Acoustics CBL 410 PCC Includes - AKG 3x CBL 410 PCC PC Boundary Layer Microphones
- GHAP1 USB Adapter
- AKG Warranty
AKG Acoustics CBL 410 PCC Features - Small and inconspicuous
- Exceptionally rugged
- Excellent sound quality
- High sensitivity
- Low self-noise
AKG Acoustics CBL 410 PCC Specifications | Polar pattern | Omnidirectional | | Microphone Type | Back electret condenser microphone | | Frequency response | 50 Hz to 20 kHz | | Impedance | 2000 ohms ±30% at 1000 Hz | | Sensitivity | -42 dB ±3 dB (7.9 mV/Pa)Sensitivity: | | Maximum current consumption | 0.5 mA | | Supply voltage | 1.5 to 5 V DC | | Cable length | 100cm (40“) | | Connector | TRS mini jack |
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Designed to deliver easy, flexible control in conference and boardroom installations, the versatile U891Rx cardioid condenser boundary microphone features a touch-sensitive on-off switch that can be set to three modes: press-on/press-off, press to talk, and press to mute. The phantom-powered microphone is equipped with a unique PivotPoint® rotating output connector and an LED status indicator. UniGuard® innovations offer unsurpassed immunity from radio frequency interference; interchangeable elements are available in cardioid, hypercardioid and omnidirectional polar patterns; an 80 Hz low-cut UniSteep® filter reduces pickup of low-frequency ambient noise. The microphone's heavy die-cast case and silicon foam bottom pads minimize coupling of surface vibration to the microphone. The unit's self-contained electronics eliminate the need for an external power module.
- Element: Fixed-charge back plate, permanently polarized condenser
- Polar Pattern: Half-cardioid (cardioid in hemisphere above mounting surface)
- Frequency Response: 30-20,000 Hz
- Low Frequency Roll Off: 80 Hz, 18 dB/octave
- Open Circuit Sensitivity: 34 dB (19.9 mV) re 1V at 1 Pa
- Impedance: 200 ohms
- Maximum Input Sound Level: 130 dB SPL, 1 kHz at 1% T.H.D.
- Dynamic Range: 104 dB, 1 kHz at Max SPL
- Signal to Noise Ratio: 68 dB, 1 kHz at 1 Pa
- Phantom Power Requirements: 11-52V DC, 4 mA typical
- Weight: 264 g
- Dimensions: 108.0 mm long, 84.0 mm maximum width, 23.0 mm height
- Output Connector: TB3M-type
- Cable: 7.6 m long, 3.2 mm diameter, 2-conductor, shielded cable with TA3F and XLRM-type connectors
- Designed for surface-mount applications such as high-quality sound reinforcement, professional recording, television, conferencing and other demanding sound pickup situations
- Ultra-quiet electronic switch can be set to any of three operating modes: "touch-on/ touch-off," "touch-to-talk" and "touch-to-mute“
- PivotPoint® rotating output connector allows cable to exit from either the rear or the bottom of the microphone
- Superior off-axis rejection for maximum gain before feedback
- UniGuard® RFI-shielding technology offers outstanding rejection of radio frequency interference (RFI)
- Small-diameter UniPoint® capsule near boundary eliminates phase distortion and delivers clear, high-output performance
- Heavy die-cast case and non-slip silicon foam bottom pads minimize coupling of surface vibration to the microphone
- Low-profile design with low-reflectance finish for minimum visibility
- Available in two colors: black (U891Rx) and white (U891RWx)
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The half-cardioid e 901 is the perfect condenser microphone for kick drum. It is highly robust and step-resistant. It benefits from an integrated preamp.
Pick-up pattern : half-cardioid
Frequency response : 20...20 000 Hz
Sensitivity in free field, no load : (1kHz) 0,5 mV/Pa
Max. Sound pressure level (aktiv) : 154 dB / SPL
Phantom powering : 48 V / 1,1 mA
Nominal impedance :
Min. terminating impedance : 1000 Ohm
Dimensions : 126,5 x 105 x 26,5 mm
Weight : ca. 550 g
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