INTER-M RM-05A 5 ZONE PAGING MICROPHONE

Designed to operate exclusively with the PAM-340A the RM-05A will allow either individual selection of any combination of paging zones or the all-all facility. A flexible gooseneck microphone is supplied together with a three metre lead, complete with multiway connectors to connect the RM-05A to the host amplifier. Power: Supplied by the host PAM-340A. Dimensions: 195mm(w) x 60mm(h) x 205mm(d). Weight: 1.2 kg including microphone.

Professional table microphone, high sensitivity condenser microphone capsule, flexible gooseneck, illuminated ring to indicate operating condition, and on/off switch. Perfect for all PA applications, such as conference and paging. It can be powered by battery or as by Phantom power. The base is equipped with 8 meters of cable XLRF-XLRM and XLRF-mono jack adapter.

• Frequency response shaped specifically for kick drums and bass instruments
• Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
• Studio quality performance, even at extremely high sound pressure levels
• Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
• Hardened steel mesh grille that resists wear and abuse
• Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
• Neodymium magnet for high signal–to–noise ratio output
• Low sensitivity to varying load impedance
• Legendary Shure quality and reliability

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

• A highly consistent cardioid polar pattern
• Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
• Premium electronic components, including gold-plated internal and external connectors
• Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
• Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
• Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
• Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

• Extended frequency response
• Low self noise
• Exceptional reproduction of low-frequency sounds
• Can withstand high sound pressure levels (SPL)
• High output level
• No crossover distortion
• Uniform polar response
• Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

• Acoustic instruments -- such as piano, guitar, drums, percussion, strings
• Wind instruments -- brass and woodwind
• Low frequency instruments -- such as double bass, electric bass, kick drum
• Overhead miking -- drums or percussion
• Ensembles -- choral or orchestral
• Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

t is hard to believe that such small, unobtrusive microphones can produce such great sound, but it's true. Available in black or white finishes, and with in-line or plate mount preamps, MX202 Microflex® Overhead condenser microphones capture high-quality sound in a compact, adjustable package. Each model features a choice of interchangeable cardioid or supercardioid condenser microphone cartridges attached to a flexible, four inch gooseneck with a 30 foot cable.

Cartridge polar pattern indicated by model number suffix:
C = Cardioid, S = Supercardioid, N = No cartridge

Available Options
    MX202B/C     Black mini-condenser Cardioid mic, w/cable, in-line preamp, stand adapter
    MX202B/S     Black mini-condenser Supercardioid mic, w/cable, in-line preamp, stand adapter
    MX202W/C     White mini-condenser Cardioid mic, w/cable, in-line preamp, stand adapter
    MX202W/S     White mini-condenser Supercardioid mic, w/cable, in-line preamp, stand adapter
    MX202W/N     White mini-condenser mic, w/cable, in-line preamp, stand adapter, No Cartridge
    MX202BP/C     Black mini-condenser Cardioid mic; includes cable and plate-mounted preamplifier
    MX202BP/S     Black mini-condenser Supercardioid mic; includes cable and plate-mounted preamplifier
    MX202BP/N     Black mini-condenser mic; includes cable and plate-mounted preamplifier, No Cartridge
    MX202WP/C     White mini-condenser Cardioid mic; includes cable and plate-mounted preamplifier.
    MX202WP/S     White mini-condenser Supercardioid mic; includes cable and plate-mounted preamplifier.
    MX202WP/N     White mini-condenser mic; includes cable and plate-mounted preamplifier, No Cartridge