| Content | A passive dual channel line splitter that is mainly used to feed the left and right master outputs of a mixer into several inputs such as power amplifiers, recording machines etc. A specially designed audio frequency transformer maintains signal integrity and prevents ground loop hum. This unit also converts unbalanced signals into balanced signals and vice versa.
Technical specifications:
- 2 channel line splitter "1 into 3"
- Each channel with: Input: female XLR type with parallel male XLR Type output 2 transformer isolated male XLR type outputs
- Transformer ratio 1 : 1
- Nominal level: 0 dB
- Max. level +20 dB
- Nominal impedance input and output: 600 ohms
- Ground lift switch
Number of split-outputs per canal
2
Max. output level
+ 20 dB
Transformer isolated outputs
Yes
Cabinet material
Die-cast aluminium
Cabinet surface
Powder coated
| The PRMMS8 is an ultra low noise 8-channel microphone splitter providing a direct output and a transformer isolated output for each balanced XLR input. For extra flexibility, four front panel switches enable channel linking which permits routing a single input signal to multiple outputs feeding FOH, monitor, recording and broadcast mixing consoles, or merging two input signals into a single output. For use with condenser microphones, the direct outputs serve as a path for phantom power. Each channel includes a ground lift switch to eliminate hum and interference caused by ground loops between electronic equipment connected to the PRMMS8.332.
Number of split-outputs per canal
1
Transformer isolated outputs
Yes
Cabinet material
sheet steel
Cabinet surface
Powder coated
Guarantee : 60 Months |
- With improved 192 kHz sample rate for the best sound reproduction.
- Supports uncompressed 2-channel LPCM (Linear Pulse Code Modulation) audio signals.
- Supports compressed 2-channel and multi-channel Dolby Digital and DTS audio signals.
- Ideal for presentation or distribution to another room.
- The optical (Toslink) digital audio splitter can split a single optical digital input to four outputs without delay or loss of quality.
- Supports the S/PDIF and Toslink standard.
Your TV has 1 Toslink output, but you use 2 amplifiers. This requires the Toslink cable to be split from 1 into 2. An additional amplifier could be, for example, a surround set, a sound bar of an amplifier in the kitchen.
Connections
|
|
| Audio input |
1 x Toslink (optical) |
| Audio output |
2 x Toslink (optical) |
Audio
|
|
| Supported audio |
PCM2, Dolby Digital 5.1 and DTS |
| Sample rate |
Up to 192 kHz |
General
|
|
| Dimensions (h x w x d) |
24 x 46 x 46 mm |
| Weight |
22 grams |
| Ambient temperature |
+0 to +40 °C |
| Humidity |
10% to 85% |
| Power |
100-240 VAC 50/60 Hz, 5 VDC adapter |
| Bring a more professional sound to your mix
Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.
dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Features
- Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mono operation
- Balanced inputs and outputs on 1/4" TRS and XLR connectors
- Side Chain insert
- Classic dbx® "Auto" mode
Specifications
| Input Connectors |
1/4" TRS and female XLR (pin 2 hot) |
| Input Type |
Electronically balanced/unbalanced, RF filtered |
| Input Impedance |
40kΩ balanced/unbalanced |
| Max Input |
>+22dBu Balanced or Unbalanced |
| Output Connectors |
1/4" TRS, female XLR (pin 2 hot) |
| Output Type |
Impedance-balanced/unbalanced, RF filtered |
| Output Impedance |
+4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced |
| Max Output |
>+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω) |
| Sidechain |
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) |
| Sidechain Impedance |
Tip = >10kΩ (Input), Ring = 2kΩ (Output) |
| Sidechain Max Input Level |
Tip = >+22dBu (Input) |
| Sidechain Max Output Level |
Ring = >+20dBu (Output) |
| Compressor Threshold Range |
-40dBu to +20dBu |
| Compressor Threshold Characteristic |
Selectable OverEasy® or hard knee |
| Compressor Ratio |
1:1 to Infinity:1 |
| Compressor Attack Time |
Scalable Program-Dependent AutoDynamic™ |
| Compressor Release Time |
Scalable Program-Dependent AutoDynamic™ |
| Expander/Gate Threshold Range |
-60dBu to +15dBu |
| Expander/Gate Ratio |
1:1 to 4:1 |
| Expander/Gate Attack Time |
|
|
- With improved 192 kHz sample rate for the best sound reproduction.
- Supports uncompressed 2-channel LPCM (Linear Pulse Code Modulation) audio signals.
- Supports compressed 2-channel and multi-channel Dolby Digital and DTS audio signals.
- Ideal for presentation or distribution to another room.
- The optical (Toslink) digital audio splitter can split a single optical digital input to four outputs without delay or loss of quality.
- Supports the S/PDIF and Toslink standard.
Your TV has 1 Toslink output, but you use 4 amplifiers. This requires the Toslink cable to be split from 1 into 4. An additional amplifier could be, for example, a surround set, a sound bar of an amplifier in the kitchen
Connections
|
|
| Audio input |
1 x Toslink (optical) |
| Audio output |
4 x Toslink (optical) |
Audio
|
|
| Supported audio |
PCM2, Dolby Digital 5.1 and DTS |
| Sample rate |
32 kHz to 192 kHz |
General
|
|
| Dimensions (h x w x d) |
24 x 46 x 46 mm |
| Weight |
22 grams |
| Ambient temperature |
+0 to +40 °C |
| Humidity |
10% to 85% |
| Power |
100-240 VAC 50/60 Hz, 5 VDC adapter |
| The MX225 is designed for remote volume control of multiple amplifiers or powered speakers in a distributed audio system. Two stereo sources are available to each of five output zones. Each source input pair handles separate left and right balanced line level signals. Each output zone features independent level control from inputs 1 and 2, stereo/mono selector with mono indicator, LED level metering, and left and right balanced line level zone outputs. All audio connections are balanced XLR. The built in power supply and single high 19″ rack mount format allows for easy installation and reliable operation.
- 5 Zone mixer / distributor
- Adjusts volume of multiple amplifiers or active monitors separately
- Stereo/mono switch + clip and 5 segment LED on each zone
- Connectors: 4x line in XLR (2x L/R), 10x XLR Out (5x L/R)
- Dimensions: 482 x 152 x 44.5 mm (19"/1U)
- Weight: 2.4 kg
| XLR-F balanced (x4) |
| XLR-M balanced (x10) |
| 47k Ω |
| 200 Ω |
| .05% Typical |
| > 90dB typical |
| +20dBu |
| +24dBu balanced |
| +6DB |
| USA – 105 to 125 VAC / 50-60Hz, 15 W typical |
| 1.75″H x 19″W x 7.25.0″D (44.5mm x 483mm x 184mm) |
| 5.34 lbs (2.42 kg) |
|
Reviews
There are no reviews yet.