PALMER PRMMS Pro PRMMS – Microphone Splitbox 4 Channel

314.91 incl. GR VAT

Only 1 left in stock (can be backordered)

EAN: 4049521049606
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Availability: Available in 4-10 d. Available in 4-10 d. SKU: PRMMS Category:
Passive splitter box for microphone signals. One module has 4 channels. Each channel has an input, an output wired in parallel for passthrough of phantom power, and two splitter transformer-isolated outputs. All outputs are also decoupled via resistors. Each channel: Input: female XLR type Outputs: 1 parallel male XLR type, 2 transformer isolated male XLR […]

 

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Passive splitter box for microphone signals. One module has 4 channels. Each channel has an input, an output wired in parallel for passthrough of phantom power, and two splitter transformer-isolated outputs. All outputs are also decoupled via resistors.
  • Each channel: Input: female XLR type
  • Outputs: 1 parallel male XLR type, 2 transformer isolated male XLR type
  • Nominal impedance for inputs/outputs: 200
  • Max. input level: + 6 dBu
Weight 2.18 kg

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Quick Comparison

PALMER PRMMS Pro PRMMS - Microphone Splitbox 4 Channel removeDBX 1231 Dual 31-Band Graphic Equalizer 2x31 removeDBX 234XS Stereo 2-Way Mono 3-Way Crossover removeDBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction removeMARMITEK SPLIT TS12- Audio Splitter - 1 in / 2 out - Toslink removeART MX225 5 Zone mixer / distributor 4x line in XLR (2x L/R), 10x XLR Out (5x L/R) remove
NamePALMER PRMMS Pro PRMMS - Microphone Splitbox 4 Channel removeDBX 1231 Dual 31-Band Graphic Equalizer 2x31 removeDBX 234XS Stereo 2-Way Mono 3-Way Crossover removeDBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction removeMARMITEK SPLIT TS12- Audio Splitter - 1 in / 2 out - Toslink removeART MX225 5 Zone mixer / distributor 4x line in XLR (2x L/R), 10x XLR Out (5x L/R) remove
ImageMARMITEK SPLIT TS12- Audio Splitter - 1 in 2 out - Toslink
SKUPRMMSDBX 1231DBX 234XSDBX 221508204MX225
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Price 314.91 incl. GR VAT 455.00 incl. GR VAT 306.06 incl. GR VAT 434.00 incl. GR VAT 57.00 incl. GR VAT 272.80 incl. GR VAT
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DescriptionUse this audio splitter if you want to connect multiple amplifiers to 1 audio source. The Split TS12 splits 1 optical digital (Toslink) input into 2 outputs without delay or loss of quality. An additional amplifier could, for example, be a soundbar or a surround set in the conservatory. With improved 192 kHz sample rate for best audio reproduction.
  • 5 Zone mixer / distributor
  • Adjusts volume of multiple amplifiers or active monitors separately
  • Stereo/mono switch + clip and 5 segment LED on each zone
  • Connectors: 4x line in XLR (2x L/R), 10x XLR Out (5x L/R)
ContentPassive splitter box for microphone signals. One module has 4 channels. Each channel has an input, an output wired in parallel for passthrough of phantom power, and two splitter transformer-isolated outputs. All outputs are also decoupled via resistors.
  • Each channel: Input: female XLR type
  • Outputs: 1 parallel male XLR type, 2 transformer isolated male XLR type
  • Nominal impedance for inputs/outputs: 200
  • Max. input level: + 6 dBu
1231 Dual 31-Band Graphic Equalizer The dbx? 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other insightful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier. The dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application. The magnetically isolated transformer, electronically balanced/unbalanced inputs and servo balanced/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations. Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 3U steel/aluminum chassis. SPECIFICATIONS:
 INPUT
Connectors: 1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip
Type: Electronically balanced/unbalanced, RF filtered
Impedance: Balanced 40 kOhm, unbalanced 20 kOhm
Max Input Level: >+21dBu balanced or unbalanced
CMRR: >40dB, typically >55dB at 1kHz
OUTPUTS
Connectors: 1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip
Type: Impedance-balanaced/unbalanced, RF filtered
Impedance: Balanced 200 ohm, unbalanced 100 ohm
Max Output Level: >+21dBu balanced/unbalanced into 2 kOhm or greater >+18dBm balanced/unbalanced (into 600 ohm)
SYSTEM PERFORMANCE
Bandwidth: 20Hz to 20kHz, +0.5/-1dB
Frequency Response: 50kHz, +0.5/-3dB
+/-15dB range +/-6dB range
Dynamic Range: 109dB 115dB
Signal-to-Noise: 90dB 97dB
THD + Noise:
More sound to your amps and speakers The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. XLR balanced ins and outs Mode switches for mono 4-way or stereo 2-way/3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx® 2 year parts and labor as standard CSA NRTL/C approved CE compliant
Input Connectors XLR
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance Balanced >50k ohm, unbalanced >25k ohm
Max Input >+22dBu balanced or unbalanced
CMRR >40dB, typically >55dB at 1kHz
Output Connectors XLR
Output Type Impedance-balanaced/unbalanced, RF filtered
Output Impedance Balanced 200 ohm, unbalanced 100 ohm
Max Output >+21dBu balanced/unbalanced into 2k ohms or greater
Bandwidth 20Hz to 20kHz, +/-0.5dB
Frequency Response 90 kHz, +0/-3 dB
Signal to Noise Ratio Ref: +4 dBu, 22 kHz measurement bandwidth
Signal-to-Noise (Stereo Mode) >94dB (Low Output), >93dB (Mid Output), >90dB (High Output)
Signal-to-Noise (Mono Mode) >94dB (Low Output, Low/Mid Output); >92dB (High/Mid Output); >88dB (High Output)
Dynamic Range > 106 dB, unweighted, any output
THD+Noise
Interchannel Crosstalk
Crossover Frequencies (Stereo Mode) Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High 450Hz to 9.6kHz (x10 setting)
Crossover Frequencies (Mono Mode) Low/Low-Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low-Mid/High-Mid: 450 Hz to 9.6 kHz; High-Mid/High: 450 Hz to 9.6 kHz
Crossover Filter Type Linkwitz-Riley, 24 dB/octave, state-variable
Low cut Switch Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel.
Phase Invert Switch Inverts the phase at the output, one switch per output.
x1 / x10 Switch Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel.
Mode Switch Selects stereo/mono and 2/3/4-way operation
LF Sum Switch Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode.
Indicators Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output)
Operating Voltage 100-120 VAC 50/60Hz; 120 VAC 60Hz 230 VAC 50/60Hz
Operating Temperature 32°F to 113°F (0°C to 45°C)
Power Consumption 15W
Power Connector IEC receptacle
Dimensions 1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm)
Unit Weight 4.0 lbs. (1.8 kg)
Shipping Weight 5.8 lbs. (2.6 kg)
 

DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction

 It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.

20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!

SPECIFICATIONS:

 

 INPUT

Connectors:

 1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip

Type:

Electronically balanced/unbalanced, RF filtered

Impedance:

Balanced 40k ohm, unbalanced 20k ohm

Max Input Level:

>+21dBu balanced or unbalanced

CMRR:

>40dB, typically >55dB at 1kHz

OUTPUTS

Connectors:

 1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip

Type:

Impedance-balanaced/unbalanced, RF filtered

Impedance:

Balanced 200 ohm, unbalanced 100 ohm

Max Output Level:

 >+21dBu balanced/unbalanced into 2k or greater
 >+18dBm balanced/unbalanced (into 600)

SYSTEM PERFORMANCE

Bandwidth:

20Hz to 20kHz, +/-0.5dB

Frequency Response:

50kHz, +0.5/-3dB

Noise Reduction In:

 (+/-6 and +/-15dB range):

Signal-to-Noise:

 >102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth

Dynamic Range:

 >120dB, unweighted

Noise Reduction Out:

 (+/-6dB range):

Signal-to-Noise:

 >94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth

Dynamic Range:

 >112dB, unweighted

Noise Reduction Out:

 (+/-15dB range):

Signal-to-Noise:

 >90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth

Dynamic Range:

 >108dB, unweighted

THD + Noise:

  • With improved 192 kHz sample rate for the best sound reproduction.
  • Supports uncompressed 2-channel LPCM (Linear Pulse Code Modulation) audio signals.
  • Supports compressed 2-channel and multi-channel Dolby Digital and DTS audio signals.
  • Ideal for presentation or distribution to another room.
  • The optical (Toslink) digital audio splitter can split a single optical digital input to four outputs without delay or loss of quality.
  • Supports the S/PDIF and Toslink standard.
  Your TV has 1 Toslink output, but you use 2 amplifiers. This requires the Toslink cable to be split from 1 into 2. An additional amplifier could be, for example, a surround set, a sound bar of an amplifier in the kitchen.  

Connections

Audio input 1 x Toslink (optical)
Audio output 2 x Toslink (optical)

Audio

Supported audio PCM2, Dolby Digital 5.1 and DTS
Sample rate Up to 192 kHz

General

Dimensions (h x w x d) 24 x 46 x 46 mm
Weight 22 grams
Ambient temperature +0 to +40 °C
Humidity 10% to 85%
Power 100-240 VAC 50/60 Hz, 5 VDC adapter
The MX225 is designed for remote volume control of multiple amplifiers or powered speakers in a distributed audio system. Two stereo sources are available to each of five output zones. Each source input pair handles separate left and right balanced line level signals. Each output zone features independent level control from inputs 1 and 2, stereo/mono selector with mono indicator, LED level metering, and left and right balanced line level zone outputs. All audio connections are balanced XLR. The built in power supply and single high 19″ rack mount format allows for easy installation and reliable operation.
  • 5 Zone mixer / distributor
  • Adjusts volume of multiple amplifiers or active monitors separately
  • Stereo/mono switch + clip and 5 segment LED on each zone
  • Connectors: 4x line in XLR (2x L/R), 10x XLR Out (5x L/R)
  • Dimensions: 482 x 152 x 44.5 mm (19"/1U)
  • Weight: 2.4 kg
Input Connections XLR-F balanced (x4)
Output Connections XLR-M balanced (x10)
Input Impedance 47k Ω
Output Impedance 200 Ω
Total Harmonic Distortion .05% Typical
Signal to Noise Ratio > 90dB typical
Maximum Input Level +20dBu
Maximum Output Level +24dBu balanced
Maximum Gain +6DB
Power Requirements USA – 105 to 125 VAC / 50-60Hz, 15 W typical
Dimensions 1.75″H x 19″W x 7.25.0″D (44.5mm x 483mm x 184mm)
Weight 5.34 lbs (2.42 kg)
Weight2.18 kg5.00 kg2.60 kg4.30 kg0.022 kg2.5 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.18 kg
Weight 5.00 kg
Weight 2.60 kg
Weight 4.30 kg
Weight 0.022 kg
Weight 2.5 kg