| Content | Passive splitter box for microphone signals. One module has 4 channels. Each channel has an input, an output wired in parallel for passthrough of phantom power, and two splitter transformer-isolated outputs. All outputs are also decoupled via resistors.
- Each channel: Input: female XLR type
- Outputs: 1 parallel male XLR type, 2 transformer isolated male XLR type
- Nominal impedance for inputs/outputs: 200
- Max. input level: + 6 dBu
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A 4-channel modular passive Line level splitter system. Each module of the PRM-LS has 4 channels, comprising of one XLR input, one parallel XLR output and 2-balanced XLR transformer isolated outputs. |
- Connect HDMI sources to your audio equipment, even if they lack a dedicated audio output (Apple TV 4, Chromecast, Wii U, media players).
- Listen to music (MP3, audio streams, radio channels) without requiring the TV being turned on.
- Versatile problem solver when connecting your audio equipment to your TV, monitor or projector.
- Determine your desired audio format using the unique EDID switch.
- Play the audio from your Smart TV applications (Netflix, YouTube) or built-in TV decoder on your home cinema set, audio amplifier or soundbar.
- Use your TV's Audio Return Channel (ARC) function, even when your audio equipment is not suitable for this.
Still want to connect your Apple TV 4, Google Chromecast or TV without an audio output to your audio equipment? You can with the Connect AE14.
This HDMI audio extractor with ARC allows you to extract audio from your HDMI source or TV and to forward it to the speakers of a home cinema set, audio amplifier or soundbar.
The products the Connect-series can be used if the inputs and outputs of equipment cannot be connected with each other by default.
Connections
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|
| AV input |
1 x HDMI |
| AV output |
1 x HDMI |
| HDMI cable length |
15 metres (max.) |
| Digital audio output |
1 x Toslink (optical), 1x coaxial |
| Analogue audio output |
1 x stereo 3.5 mm jack |
Video
|
|
| Supported resolution |
Max. 2160@30Hz |
| HDMI standards |
HDMI 1.4, HDCP, CEC, ARC, EDID, DVI, Deep Color 36-bit, 3D formats and x.v. Colour |
| Video bandwidth |
10.2 Gbps |
| Clock frequency |
300 MHz |
| HDCP standards |
HDCP 1.4/2.2 |
| Colour formats |
RGB and YCbCr 4:4:4, 4:2:0 of 4:2:2 |
| Colour depth |
Max. 36-bit |
Audio
|
|
| Digital audio output |
DTS 5.1, Dolby Digital/AC3 and PCM 2.0 CH |
| Analogue audio output |
2.0 CH |
General
|
|
| Dimensions (h x w x d) |
20 x 70 x 68 mm |
| Weight |
130 grams |
| Ambient temperature |
+0 to +70 °C |
| Humidity |
10% to 85% |
| Power |
100-240 VAC 50/60 Hz, 5 VDC adapter |
| Compressos Expander Gate Kimiter DBX 166XS Stereo
Overview Bring a more professional sound to your mix
Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.
dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Specifications
| Input Connectors |
1/4" TRS, female XLR (pin 2 hot) |
| Input Impedance |
>50kΩ balanced, >25kΩ unbalanced |
| Max Input |
>+24dBu, Balanced or Unbalanced |
| Input Type |
Electronically balanced/unbalanced, RF filtered |
| Sidechain |
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) |
| Sidechain Impedance |
Tip = >10kΩ (Input), Ring = 2kΩ (Output) |
| Sidechain Max Input Level |
>+20dBu (tip/input); >+20dBu (ring/output) |
| Output Connectors |
1/4" TRS, female XLR (pin 2 hot) |
| Output Impedance |
120Ω balanced, >60Ω unbalanced |
| Max Output |
+21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω) |
| Frequency Response |
20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain |
| Noise |
|
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Palmer GA MKII Grand Audition MKII
- 24 switchable balanced line outputs
- Intuitive browser-based control software
- Individual level control on each output
- Mono and stereo modes
- Multiple channel selection
- High-quality analogue signal path
- Instant channel switching with no noise or interference
- XLR line inputs and built-in USB media player
- Up to three devices cascadable
When tasting wine, it is important that a comparison is as neutral as possible. The same applies to selecting loudspeakers.To accurately judge sound characteristics, it is essential to listen to different loudspeakers under the same conditions.
Comfortable loudspeaker routing with variable level control for an uncompromising comparison on the sales floor, along with multi-monitor and multi-room applications, are just some of the ways the GrandAudition MK2 can be effectively put to use.
GrandAudition MK2 lets you connect 16 individual loudspeakers or eight loudspeaker pairs and up to eight subwoofers - all with balanced line-level XLR connectors and housed in two 19\" rack units. Depending on how you want to use GrandAudition MK2, the outputs can be selected either individually or as stereo pairs via an intuitive browser-based app or from the unit itself.
Thereby you can choose to just switch between loudspeakers or freely configure any output combination you want, making it not only the ideal solution for a loudspeaker presentation, but also an excellent choice as a central-control-unit for trade fairs, in laboratories and for multi-room sound distribution.
Source material is supplied from a mixer, CD player or digital audio workstation through two balanced XLR inputs - with volume control, of course. But that\'s not all. GrandAudition MK2 is also equipped with a built-in USB media player on which reference titles can be accessed in WAV, AIF, FLAC, MP3 and OGG data formats.
Highlight of GrandAudition MK2
The browser-based remote can be controlled on a tablet or laptop, offering maximum operating convenience. Ethernet and WLAN-capable devices can be used for complete configuration and control of the unit, including channel naming, media player, and other practical functions.
The ability to individually adjust the level for each output and its quick and noiseless switching mechanism, makes it possible to accurately compare loudspeakers and help you reliably guide your customers to select the right loudspeaker. Routing applications that use different levels for each output can also be set up, and a fully analogue signal path with the highest quality is also of course guaranteed with Palmer.
If necessary, you can cascade units to triple the impressive number of 16 channels plus 8 outputs and thus manage even the largest routing scenarios for monitors, such as in presentation areas. You can also use the subwoofer outputs to connect additional loudspeakers without experiencing any technical drawbacks.
In addition to powered loudspeakers, passive loudspeakers can be incorporated with power amps. Signals can also be distributed over multiple line outputs for other applications, for example, by connecting as many as 24 headphone amplifiers to one source signal - an invaluable aid in conference technology and at trade fairs. And to top it all off, GrandAudition MK2 performs remarkably well in measuring laboratories.
In short, GrandAudition MK2, with its clearly arranged features and ease of use, offers comfortable loudspeaker routing with professional sound neutrality.
Product type
Switches
Type
Analog
Signal processing
Analog
Ethernet Functions
Yes
Inputs
2 x balanced
Outputs
24 + 2 balanced
Controls Front panel
1 x Encoder pushbutton , 24 x pushbutton
Display elements front side
2 x signal source LED (XLR / Player , Dual-color signal/clip LED , LED ring for main/channel volume with 0dB and mute LED indicator
Front Panel connectores
2 x XLR 3 pin female , 24 x male XLR socket
Controls Element Back Panel
mains voltage selector , Power On/Off , reset
Connections rear side
2 x XLR , 2 x XLR 3 pin female , 3-pole IEC mains connection (mains socket) , Micro-USB for service purposes , RJ45 (Ethernet) , USB stick
Operating voltage
100 V AC - 240 V AC, 50 - 60 Hz
Fuse
T 630 mA 250V
Power consumption
65 W
Ambient temperature ( in operation )
0 - 40 °C
Installation Height
19\" / 2 U
Dimensions (W x H x D)
482,6 x 89,4 x 282,3 mm
Housing material
Metal
Cabinet surface
Powder-coated
Weight
5,7 kg
|
iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?
With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.
The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.
? Advanced Feedback Suppression (AFS?)
? Type V? Noise Reduction
? PeakStopPlus? Limiting
? 2/3-octave Constant Q frequency bands
? Switchable boost/cut ranges of ±6 or ±15dB
? 18 dB per octave 40Hz low-cut filter
? ±12dB input gain range
? XLR, TRS and Euroblock Inputs and Outputs
? Internal Toroidal Transformer
? Frequency Response of 10Hz to 22kHz
? Dynamic range of greater than 113dB
? User Power Up Features
? Relay Bypass for Power Failure System Protection
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