| Content |
- Reactive attenuator and load box
- Finely-tuned analogue speaker simulator
- Speaker output with unique tone control
- Microphone / line input (blendable with speaker simulator)
- Front panel headphone output
- Stereo FX loop
- Front panel aux input
- Balanced stereo XLR Line Outputs
- Compatible with 8 and 16-ohm setups
- Rated for tube amps up to 150 Watts
- Amp protection circuit with permanent amp load
- All analogue experience; no app required!
General
Product type
attenuator, DI box, Headphone Amp:, load box, Microphone preamplifier, power soak, Re-amping device analogue, speaker simulator
Front panel controls
7-Step Speaker Attenuation, Aux In Level, Hard/Soft Tone Selector, Line EQ (5 Voicings), Line Out Blend, Line Out Level, Mic Gain, MIC Tone, Phone Level, Pre/Post Switch (Amp to Line Out), Speaker Tone (5 Voicings)
Rear panel controls
Amp Load Impedance Switch, FX Level (Pro/Instrument), FX Loop Line Out, FX Loop Re-Amp, GND/Lift, MIC/LINE Input PAD, Phantom Power, Polarity
Input type
Balanced, Unbalanced
Input connectors
3.5 mm jack, 6.3 mm jack, XLR
Output type
Balanced, Unbalanced
Output connectors
3.5 mm jack, 6.3 mm jack, XLR
Transformer isolated outputs
Yes
Internal load impedance
16 ohms, 8 ohms
Minimal load in OFF status
16 ohms
Voicing filter
5-step Speaker Tone and 5-step Line EQ
Indicators
bypass, Full attenuation, input level, MIC-Signal/Clip, Output level, power soak, thermal overload
Power supply
+ 9 V DC barrel jack - 1.5 A
Power supply polarity
Center negative
Power connector
2 x 5.5mm
Maximum power consumption
13.5 W
Standby power consumption
0.3 W
Dimensions (W x H x D)
334 x 108 x 274 mm
Ambient temperature (in operation)
- 20°C - 25 °C
Relative Humidity
< 80 % ( non-condensing )
Accessories (included)
Power supply
Audio inputs
AUX IN max. input level (< 1% THD, 1kHz)
+ 9 dBV
AMP IN max. input power
150 W Peak, 100 W RMS
Audio outputs
LINE OUT max. output level (<1% THD)
+ 18 dBu
RE-AMP max. output level (<1% THD)
+ 1.5 dBv
PHONES OUT max. output level (<1% THD, 1kHz)
1.4 V RMS
PHONES OUT min. impedance
33 Ohm
MIC / LINE Input
MIC / LINE IN low cut frequency (-3dB)
90 Hz
MIC / LINE IN Gain range
0 - 25 dB
MIC IN (XLR) max. input level (< 1% THD, 1kHz)
+ 1 dBu
LINE IN (TRS) max. input level (< 1% THD, 1kHz)
+ 22 dBu
MIC IN to LINE OUT THD+N (1kHz, +4dBu)
< 0.006 %
MIC IN to LINE OUT THD+N (20Hz-20kHz, +4dBu)
< 0,04 %
MIC IN to LINE OUT EIN (max. gain, unweighted)
- 114 dBu
MIC IN to LINE OUT SNR (all bypass)
105 dB
MIC/LINE IN PAD attenuation
20 dB
MIC IN (XLR) input impedance (balanced)
1500 Ohm(s)
LINE IN (TRS) input impedance (balanced)
24000 Ohm(s)
|
Marshall 2203-01 100W Guitar Amplifier
The all-valve JCM800 2203 is one of the most highly respected 100 Watt
Marshall heads in the company's long history.Evolving from the legendary
100 Watt 'Plexi' head,it was one of our first amplifiers to feature a Master
Volume(MV) Control.
The very essence of simplicity,the JCM800 2203 is a one channel,all-valve
amp with no reverb or built-in effects.Its foolproof interface,distinctive roar
and larger-than-life 'edge' immediately set the standard by which all other
rock amps were judged and it remained the 'industry benchmark' throughout
the entire 16 years of its production life.Now it's back by popular demand and
as with the 1959SLP and 1987X we've added a Series Effects Loop featuring
a true bypass switch that takes the loop completely out of the circuit,thus
ensuring the original tone isn't compromised in any shape or form.
| Featuring a 30 Watt output section the Dual Terror head is the most powerful in the Terror range, offering more clean headroom and volume than the Tiny Terror with the added flexibility of a second channel. The ʽTiny Terror Channelʼ is lifted straight from the original 15 Watt version, retaining the signature tones that made the Tiny Terror such a hit. However, with double the power on offer, it packs an even fiercer punch.
The additional ʽFatʼ channel provides extra girth with its more rounded, slightly gainier character, perfect for leads or for balancing between two different guitars on stage. The Dual Terror switches from 30 to 15 to 7 watts, making it a perfect portable amp head for both for studio and stage. |
Ultimate Rock Tone 120-Watt 2-Channel Tube Amplifier Head with Reverb and INFINIUM Tube Life Multiplier
- Hand-built 120-Watt amplifier driven by 4 x 6L6 tubes (convertible to EL34)
- 2-channel preamp design (Clean/Crunch, Lead) featuring 6 x 12AX7 tubes for thick and screaming hi-gain
- Revolutionary INFINIUM Tube Life Multiplier technology:
- Extends the life of your amplifierʼs expensive power tubes up to 20 times
- Provides incredible reliability and consistent tone over the complete lifespan of your tubes
- No need for expensive matched tube sets
- Allows you to mix and match any combination of compatible tube types and brands
- Monitors performance of each power tube continuously and displays defective tubes to allow for easy and individual replacement
- Integrated high-class reverb with dedicated Reverb control for each channel
- Independent Equalizer sections for each channel with dedicated Bass, Mid and Treble controls
- Classic Presence control per channel for efficient midrange sound shaping
- Heavy-duty footswitch for Channel selection and FX Loop function included
- Impedance switch (4, 8 and 16 Ohms) to match virtually any speaker cabinet
- High-quality components and exceptionally rugged construction ensure long life
| The JVM Series from Marshall is the most comprehensive range of professional, all-valve amplifiers ever offered. No other multi-channel, multi-mode amplifier delivers the amazing all-valve tone offered by the JVM at any price. Multiple, all-valve voicings provide an amazing array of tones which are accessible from the front-panel switches, MIDI or via the revolutionary technology of the supplied footswitch. Hailed as a breakthrough in amplification by the worldʼs guitar press, the JVM Series offers a powerstage built on the peerless EL34 designs responsible for the legendary Marshall roar.
Outstanding Tone
The JVM Series uses a carefully designed, 4 x ECC83 pre-amp stage to generate the desired amount of gain, from the cleanest, yet complex, clean imaginable to a vast palette of overdrives that range from sophisticated and subtle to explosive and extreme. Boasting a truly amazing array of instantly switchable sounds, overflowing with harmonically rich tones and responsive fluidity, every JVM mode exudes that unmistakable Marshall sound and expands on it, effectively offering multiple Marshalls in one easy-to-use package.
Ultimate Flexibility
Each totally independent JVM channel offers three footswitchable modes which progressively add gain while offering a complimentary tonal topology, making the JVM the perfect amplifier for any situation.
Seamless, Silent Switching
Ultimate Control and Connectivity
Every JVM is supplied with a fully programmable footswitch. This revolutionary, patent-pending technology allows single front panel switching (SWITCH STORE) or entire set-ups (PRESET STORE – Channel/Mode, Reverb, FX Loop, Master Volume) to be simply assigned to any footswitch . . . or, even cooler, a mix ʽnʼ match of both modes. Housed in a rugged metal casing with blank panels on its surface which allow the user to label the pedal exactly as they want, the JVM pedal has no restrictive factory set-ups or functionality barriers, plus itʼs a breeze to program. The multi-coloured LEDs reflect every front panel switch status so you know exactly where you are, in the heat of a performance, without the need to glance at the amplifier itself.
The JVMʼs MIDI In and Thru connection means it can easily be integrated in a MIDI switching set-up, allowing you to store and recall 128 amplifier set-ups and enabling your MIDI effects board to easily control the amp. With its built-in memory and switching options the possibilities are endless!
Studio-Quality Reverb
Effective Control
Each JVM boasts two FX Loops that live on its rear panel. A footswitchable Parallel/Series Loop with Level and Mix controls plus a Series Loop with a Bypass switch. Combine the JVM with a MIDI FX processor and a MIDI footswitch and the skyʼs the limit!
The Tone of the Cone
In the case of the 2x12 in. JVM combos, after exhaustive testing of every speaker available, all agreed that the pairing of a Marshall/Celestion ʽHeritageʼ with a Marshall/Celestion ʽVintageʼ was the only way to go as the combination produces a fantastic depth and breadth of sound while maintaining a tight, musical response and a solid low-end thump. In the case of the 50 Watt 1x12”combo, a Celestion G12B delivers a full, wide sound that is much "bigger” than the JVM215Cʼs compact size would suggest.
Every JVM is made at the Marshall factory in the heart of England. Time-tested craftsmanship and construction are combined with the latest advances in manufacturing technology, ensuring world-class build quality and roadworthiness.
Internally, the JVM circuitry and layout has been kept as simple and logical as possible, ensuring the integrity of the guitar tone and an incredibly low noise-floor for such a high gain beast. Four, double-sided PCBs are used and connections are kept to a minimum to ensure maximum reliability. Only the best components are used to ensure very high quality and all of the internal wiring and amplifier assembly is performed by hand. Strict quality controls ensure every unit made is worthy of the world-renowned and respected white script Marshall logo. Meticulous valve selection adds further to the all-important tone and reliability that are both synonymous with the Marshall legend.
Technical Info
Output (RMS): 100 Watts
Speakers: No
Pre-amp Valves: 4 x ECC83
Power Amp Valves: 1 x ECC83, 4 x EL34
Footswitch (Supplied): PEDL-00045
Dimensions (Millimeters): 750 x 310 x 215
Weight: 22 kg, 48.5 lbs | With jangly cleans and high gain filth coexisting in perfect harmony, TH Series amplifiers excel whatever the situation. The Dirty channel features the same powerful Shape control first seen on our Thunderverb series, sweeping the midrange from scooped to boosted. Fine-tuning your distorted tones has never been easier or more rewarding. The Clean channel delivers sweet, crystalline cleans, right up to the point of breakup, whilst the Dirty channel remains unerringly focussed, steeped in complex harmonic overtones even at maximum gain settings.
The TH30 has proved to be one of the most popular heads in the Orange range, and with good reason. The sheer range of tones that can be dialed in from just six controls is nothing short of jawdropping whilst the quartet of EL84 valves convey their own crisp character, breaking up into rich overdrive when pushed to the limit. The switchable output section can be used to tailor the amp to the situation, scaling down from 30
to 15 or 7 Watts. The TH30 also features our low impedance valve buffered effects loop. |
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