| Content | The StudioLive® 16 digital console/recorder is by far the most powerful mixer in its class. This third-generation StudioLive mixer is fully recallable, with 17 touch-sensitive, motorized faders and 17 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 16 actually improves upon PreSonus®' legendary ease of use while letting you customize its workflow and operations. The StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture™ recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that's equally formidable in live and studio applications. |
Proven at millions of gigs worldwide, the Mackie DL Series combines the power of a full-featured digital mixer with the unmatched ease-of-use of an iPad. Ideal for bands, rental house and production/installations, the DL Series provides the mobile freedom to wirelessly control the mix and powerful plug-in processing from anywhere in the venue.
- Ultra-low noise design with highest possible headroom
- 8 Onyx microphone preamps
- 4 auxiliary sends
- Stereo main output
- 24-bit Cirrus Logic converters
- 4-band EQ, gate and compressor on channel inputs
- Global reverb and delay processors
- 31-band graphic EQ with compressor limiter on main outputs
- Use up to 10 iPads simultaneously
- Ground-breaking Master Fader App
- Wired or wireless mixing from anywhere
- Full recall except mic pre gains
- Dedicated iPad channel
- PadLock feature for fixed install
- Διαστάσεις: 394x 292 x 99 mm
- Βάρος: 3.2kg
- iPad not included
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Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.
- Input channels: 48 mono, 8 stereo.
- Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section .
- Meter bridge optional.
General specifications
| Sampling frequency rate | Internal | 44.1kHz / 48kHz | | External | 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) | | Signal delay | Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz | | Total harmonic distortion | Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min. | | Frequency response | +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT | | Dynamic range | 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. | | Crosstalk | -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. | | Power requirements | US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz | | Power consumption | 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W | | Dimensions | W | 648mm (25 5/8in) | | H | 299mm (11 3/4in) | | D | 667mm (26 1/4in) | | Net weight | 24kg (52.9lb) | | Others | Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃ |
| With a three-section fader layout for efficient hands-on control, the CL5 is the ideal choice for a diverse spectrum of live sound systems.
- Input channels: 72 mono, 8 stereo.
- Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
- Stainless steel stay for iPad support.
- Built-in meter bridge.
General specifications
| Sampling frequency rate |
Internal |
44.1kHz / 48kHz |
| External |
44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) |
| Signal delay |
Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz |
| Total harmonic distortion |
Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min. |
| Frequency response |
+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT |
| Dynamic range |
112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. |
| Crosstalk |
-100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. |
| Power requirements |
US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz |
| Power consumption |
170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W |
| Dimensions |
W |
1053mm (41 1/2in) |
| H |
299mm (11 3/4in) |
| D |
667mm (26 1/4in) |
| Net weight |
36kg (79.4lb) |
| Others |
Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃ |
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The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.
Technical Specifications
| Internal processing | 32bit (Accumulator=58bit) | | Sampling frequency rate | Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%) | | Signal delay | Less than 2.5ms (INPUT to OMNI OUT @48kHz) | Total harmonic distortion
Input Gain=Min. | CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz | | Frequency response | CH INPUT to OMNI OUT
0, +0.5, -1.5dB 20Hz to 20kHz | Dynamic range
(Maximum level to noise level) | 110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT) | | Hum & noise level | -128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise | | Crosstalk(@1kHz) Input Gain=Min | -80dB, Adjacent input channels
-80dB, Input to output | | Power requirements | 110V-240V, 50/60Hz | | Power consumption | LS9-32: 170W, LS9-16: 95W | | Dimensions | LS9-32: 884(W) x 220(H) x 500(D)mm
LS9-16: 480(W) x 220(H) x 500(D)mm | | Weight | LS9-32: 19.4kg, LS9-16: 12.0kg |
Analog Input Characteristics
|
Input terminal
|
Actual load impedance
|
For use with nominal
|
Input level
|
Connector
|
|
GAIN
|
Sensitivity
|
Nominal
|
Max. before clip
| |
INPUT 1-n
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-62dB
+10dB
|
3kohms
|
50-600 ohm Mics & 600ohm Lines
|
-82dBu
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-62dBu
|
-42dBu
|
XLR3-31 type
| |
-10dBu
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+10dBu
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+30dBu
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Analog Output Characteristics
|
Output terminal
|
Actual source impedance
|
For use with nominal
|
GAIN SW
|
Output level
|
Connector
| |
Nominal
|
Max. before clip
| |
OMNI OUT 1-n
|
75ohms
|
600ohm Lines
|
+24dB
+18dB
|
+4dBu
-2dBu
|
+24dBu
+18dBu
|
XLR-3-32 type
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PHONES OUT
|
15ohms
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8ohm Phones
|
-
|
75mW
|
150mW
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ST Phone jack
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40ohm Phones
|
-
|
65mW
|
150mW
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Digital Output Characteristics
| Terminal | Format | Data length | Level | Connector | | 2TR IN DIGITAL | COAXIAL | IEC60958 | 24bit | 0.5Vpp/
75ohms | RCA pin jack | | 2TR OUT DIGITAL | COAXIAL | IEC60958
(Consumer Use) | 24bit | 0.5Vpp/
75ohms | RCA pin jack |
Control I / O Characteristics
|
Terminal
|
Format
|
Level
|
Connector
| |
NETWORK (Ethernet)
|
100Base-T
|
-
|
RJ45
| |
MIDI
|
IN
|
MIDI
|
-
|
DIN-5pin
| |
OUT
|
MIDI
|
-
|
DIN-5pin
| |
WORD CLOCK
|
IN
|
-
|
TTL/75ohms, Terminated
|
BNC
| |
OUT
|
-
|
TTL/75ohms
|
BNC
| |
REMOTE
|
-
|
RS422
|
D-sub 9pin(male)
| |
LAMP
|
-
|
0V-12V
|
XLR-4-31 type
| |
USB HOST
|
USB1.1
|
USB
|
A type USB Connector
| | Ultimate sonic performance
Thanks to the MIDAS-designed mic preamps, precision digital converters and a sophisticated 40-bit floating-point DSP audio engine, X32 mixers reproduce your audio signals with every nuance intact. The preamp design eliminates typical imbalances of gain-setting stages, thereby improving the common-mode rejection ratio (CMRR) and reducing second level harmonic distortion to an almost immeasurable level.
Enhanced workflow
The X32 Family completely redefines the expectations of power in a digital mixer. The brilliance of X32's workflow is its simplicity and total lack of clutter; coupled with a fully interactive user interface that ensures immediate familiarity and instils confidence. Whether working on the control surface or remotely by PC/Mac/Linux computer or iPad/iPhone/iPod Touch, your experience will be fluid and natural.
Unlimited expandability
Each member of the X32 family comes loaded with all of the I/O and functionality you need, right out of the box, but it doesn't end there. On-board multi-track audio connectivity delivers audio to your DAW. Integrated multi-channel digital audio interfaces connect to S16 remote stage boxes, the P16 Personal Monitor System or BEHRINGER's iQ Networked Active Speakers. Native Ethernet control enables remote operation by computer, iPad or iPhone over a wired or wireless network, across the room, or across the planet!
The ideal experience
Whether you come from an analog mixing background, or are accustomed to using other digital consoles, your first experience with X32 has been engineered to be intuitive and straightforward. Tactile controls allow smooth adjustments to critical elements as the mix progresses while the TFT screen keeps you informed every step of the way. This integration of tactile controls, motorized faders and the array of LCD and TFT displays makes the X32 experience the premiere solution for Live Sound, Broadcast, Studio Recording and Post Production applications.
Features
- Compact 40-input channel, 25-bus digital mixing console for Studio and Live application
- 16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
- 17 fully automated motorised 100mm faders allow for instant overview, powerful scene management and DAW control
- 8 XLR outputs plus 6 additional line in/outputs, phones connector and a talkback section with integrated or external mic
- 32 x 32 channel audio interface over USB 2.0, with DAW remote control emulating HUI and Mackie Control
- iPad and iPhone apps for professional remote operation available free of charge - no host PC required
- High-resolution 5" day-viewable Colour TFT for easy viewing of workflow components and parameters
- Main LCR, 6 matrix buses and all 16 mix buses each featuring inserts, 6-band parametric EQ's and full dynamics processing, plus 8 DCA and 6 mute groups
- Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L and PCM70, EMT250, Quantec QRS and more
- 40-bit floating-point DSP features 'unlimited' dynamic range with no internal overload and near-zero overall latency for mixing a total of 48 signals on 25 buses
- Powerful scene management for convenient handling of complex productions
- 48-channel Digital Snake ready via dual AES50 ports, featuring KLARK TEKNIK's SuperMAC networking capability for ultra-low jitter and latency
- USB type - A connector providing file storage and uncompressed stereo recordings plus show presets and system updates
- Dedicated and easy-to-use channel strip section with direct access controls and graphic user interface for intuitive workflow
- Additional user-definable control section allows to set up short-cuts to your favourite views or parameters
- ULTRANET connectivity for Behringer's P-16 Personal Monitoring System
- Networked remote control for show setups with on-screen software editor via Ethernet
- Built-in expansion port for audio interface cards or digital networking bridges
- MIDI In/Out for remote scene recall or controlling other MIDI equipment
- Free future firmware updates downloadable from Behringer
Specifications
- Frequency Range: 10Hz - 22kHz
- Dynamic Range: 106dB
- Output Level: +4dBu / +21dBu (XLR)
- Main Screen: 5'', 800 x 480, 262k Colour TFT
- Main Meter: 18-Segment (-45dB to Clip)
- Power Supply: Switchmode 100V - 240V, 50Hz/60Hz
- Power Consumption: 70W
- Dimensions: 490mm x 506mm x 163mm
- Weight: 11.4kg / 25.1lbs
Processing Channels
- Input Channels: 32
- Aux Channels: 8
- FX Return Channels: 8
- Aux Buses: 16
- Matrices: 6
- Internal Effects Engines: 8 True Stereo / 16 Mono
- Internal Recall Scenes: 100
- Signal Processing: 40-Bit Floating Point
- AD/DA Conversion: 24-Bit @ 44.1kHz/48kHz, 114dB Dynamic Range (Cirrus Logic A/D CS5368, D/A CS4385)
- Local I/O Latency: 0.8ms
- Network I/O Latency: 1.1ms
Connectors
- XLR Inputs: 16 Inputs with Programmable Mic Preamps (Designed by MIDAS)
- Talkback Mic Input: XLR
- XLR Outputs: 8
- RCA Inputs/Outputs: 2/2
- Monitoring Outputs: 2 x 1/4'' Balanced
- Aux Inputs/Outputs: 6/6 x 1/4'' TRS Balanced
- Headphone Outputs: 1 x 1/4'' TRS
- AES50 Ports: 2/2
- Expansion Card Slot: 32 Channel Audio Input/Output
- P-16 Connector: 1
- MIDI Inputs/Outputs: 1/1
- RJ45 Ethernet: 1
- USB Type A: 1
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