PRESONUS StudioLive 32 Series III Digital Mixer Console

General Controls

• 33 touch-sensitive, motorized faders with choice of:
  • 1-to-1 workflow—assign all channels to the top layer, with one fader per input channel
  • Split-layer workflow—split the faders between inputs and outputs, including DCAs and Aux outputs
• RGB Select buttons with user-assignable colors
• Transport control
• 8 user-assignable buttons for mute groups, scenes, and more
• All-new Fat Channel controls including
  • 8 scribble strips, encoders, and multicolor buttons
  • Customizable user layer
  • 7-inch color touchscreen

• 40 total inputs
• 32 channel inputs: 16 mic, 16 mic/line
• 1 XLR Talkback mic input with recallable XMAX Class A preamp
• 2 stereo Aux inputs
• 16 FlexMix outputs: 12 XLR, 4 balanced TRS
• 4 TRS subgroup outputs
• Unbalanced stereo (RCA) tape input and output
• Bluetooth™ 4.1 wireless tape input
• Stereo AES/EBU digital output
• 2 XLR (L/R) Main outputs
• XLR Main summed mono output
• 2 TRS monitor outputs
• Stereo headphone output

• 32 input channels with recallable XMAX Class A mic preamps
• 2 stereo aux inputs
• 26 buses:
  • 16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)
  • 4 dedicated subgroups
  • 4 internal effects sends
  • Stereo main bus
• 24 Filter DCAs for easily and flexibly controlling groups of channels

• 1 Ethernet control network port
  • Dynamic, Self Assigned, and Manual IP address modes
• 1 Ethercon AVB audio network port
• Complete ecosystem of AVB solutions, including stageboxes and personal monitor mixers, will be available in 2017

• Onboard 34x34 SD recorder (using Capture™)
• 38x38 USB recording interface
• 55x55 AVB recording interface

• Intuitive Fat Channel signal processing on every channel with:
  • A/B settings comparison
  • Highpass filter and polarity reverse
  • Gate/expander with sidechain
  • Compressor with sidechain
  • 4-band parametric EQ on inputs
  • 6-band parametric EQ on outputs
  • Limiter
  • Delay on every input
  • Delay on every output
  • Professionally programmed library of presets
• Vintage EQ and compressor models available on every input
  • Passive EQ
  • Vintage EQ
  • Tube compressor
  • FET compressor
• 8 31-band graphic EQs
• 4 internal effects buses: combination of reverbs and delays with modern and vintage options
• Built-in real-time analyzer and signal generator

• 7-inch color touchscreen
• Input meter on every channel
• Full-size Fat Channel metering
  • Input meter
  • Gate gain reduction meter
  • Compressor gain reduction meter
• Full-size stereo Main output meters

• Create, save, and edit up to 100 scenes
• Scene management with:
  • Scene Safe—prevents a scene change from affecting designated "safe” channels
• Create, save, and edit channel settings and copy/paste between channels
• Advanced channel preset options can save and recall:
  • Channel type and name
  • Input settings (preamp, +48V phantom power, polarity, pan)
  • Fat Channel A & B settings
  • Bus assignments
  • Aux and effects send levels and pan
  • Select button color
• 8 Quick Scenes

• Studio-quality converters with 115 dB dynamic range
• 48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)

• UC Surface touch control software for Mac®, Windows®, and iPad®
• Studio One® Professional digital audio workstation software for Mac and Windows
• Capture™ multitrack recording software for Mac and Windows
• QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store

Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.

• Input channels: 48 mono, 8 stereo.
• Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section .
• Meter bridge optional.

General specifications

19-inch Digital Production Console for Professionals in the Studio or On the Road

Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.

When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.

• 16-channel digital stereo mixer to create your personal monitor mix
• Ultra-intuitive "analog" operation with total recall and 16 presets for custom mixes
• State-of-the-art 24-bit D/A converters for premium audio quality
• 16 Channel Select buttons with dual LEDs for perfect overview
• Level and Pan/Spread control per channel with LED meter
• 3-band EQ per channel with mid-band frequency control
• Solo and Mute functions per channel
• Global Level and EQ controls plus Panic Mute function
• High power and "drummer proof" headphones output
• Fully adjustable limiter protects your ears and headphones
• Additional mono/stereo line output to connect your powered monitor
• MIDI IN port for real-time remote control of all channels by external MIDI device such as BEHRINGER BCF2000, BCR2000, etc.
• Standard CAT5e connection delivers power and 16 signals to each Personal Mixers
• ULTRANET connector to daisy-chain up to forty-eight P16-M mixers for large systems (in conjunction with P16-D)
• Ultra-low system latency of less than 1 millisecond
• Powered via external power supply (included) or P16-I / P16-D
• Mounts easily on a mic stand with the P16-MB mic stand mount (not included)
• Extremely rugged construction ensures long life even under the most demanding conditions
• Conceived and designed by BEHRINGER Germany