Content |
General Controls - 33 touch-sensitive, motorized faders with choice of:
- 1-to-1 workflow—assign all channels to the top layer, with one fader per input channel
- Split-layer workflow—split the faders between inputs and outputs, including DCAs and Aux outputs
- RGB Select buttons with user-assignable colors
- Transport control
- 8 user-assignable buttons for mute groups, scenes, and more
- All-new Fat Channel controls including
- 8 scribble strips, encoders, and multicolor buttons
- Customizable user layer
- 7-inch color touchscreen
Inputs and Outputs - 40 total inputs
- 32 channel inputs: 16 mic, 16 mic/line
- 1 XLR Talkback mic input with recallable XMAX Class A preamp
- 2 stereo Aux inputs
- 16 FlexMix outputs: 12 XLR, 4 balanced TRS
- 4 TRS subgroup outputs
- Unbalanced stereo (RCA) tape input and output
- Bluetooth™ 4.1 wireless tape input
- Stereo AES/EBU digital output
- 2 XLR (L/R) Main outputs
- XLR Main summed mono output
- 2 TRS monitor outputs
- Stereo headphone output
Channels and Buses - 32 input channels with recallable XMAX Class A mic preamps
- 2 stereo aux inputs
- 26 buses:
- 16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)
- 4 dedicated subgroups
- 4 internal effects sends
- Stereo main bus
- 24 Filter DCAs for easily and flexibly controlling groups of channels
Networking Connections - 1 Ethernet control network port
- Dynamic, Self Assigned, and Manual IP address modes
- 1 Ethercon AVB audio network port
- Complete ecosystem of AVB solutions, including stageboxes and personal monitor mixers, will be available in 2017
Recording - Onboard 34x34 SD recorder (using Capture™)
- 38x38 USB recording interface
- 55x55 AVB recording interface
Signal Processing - Intuitive Fat Channel signal processing on every channel with:
- A/B settings comparison
- Highpass filter and polarity reverse
- Gate/expander with sidechain
- Compressor with sidechain
- 4-band parametric EQ on inputs
- 6-band parametric EQ on outputs
- Limiter
- Delay on every input
- Delay on every output
- Professionally programmed library of presets
- Vintage EQ and compressor models available on every input
- Passive EQ
- Vintage EQ
- Tube compressor
- FET compressor
- 8 31-band graphic EQs
- 4 internal effects buses: combination of reverbs and delays with modern and vintage options
- Built-in real-time analyzer and signal generator
Metering/Displays - 7-inch color touchscreen
- Input meter on every channel
- Full-size Fat Channel metering
- Input meter
- Gate gain reduction meter
- Compressor gain reduction meter
- Full-size stereo Main output meters
Scenes and Presets - Create, save, and edit up to 100 scenes
- Scene management with:
- Scene Safe—prevents a scene change from affecting designated "safe” channels
- Create, save, and edit channel settings and copy/paste between channels
- Advanced channel preset options can save and recall:
- Channel type and name
- Input settings (preamp, +48V phantom power, polarity, pan)
- Fat Channel A & B settings
- Bus assignments
- Aux and effects send levels and pan
- Select button color
- 8 Quick Scenes
Digital - Studio-quality converters with 115 dB dynamic range
- 48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)
Actively Integrated Software - UC Surface touch control software for Mac®, Windows®, and iPad®
- Studio One® Professional digital audio workstation software for Mac and Windows
- Capture™ multitrack recording software for Mac and Windows
- QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store
| With a three-section fader layout for efficient hands-on control, the CL5 is the ideal choice for a diverse spectrum of live sound systems.
- Input channels: 72 mono, 8 stereo.
- Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
- Stainless steel stay for iPad support.
- Built-in meter bridge.
General specifications
Sampling frequency rate |
Internal |
44.1kHz / 48kHz |
External |
44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) |
Signal delay |
Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz |
Total harmonic distortion |
Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min. |
Frequency response |
+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT |
Dynamic range |
112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. |
Crosstalk |
-100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. |
Power requirements |
US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz |
Power consumption |
170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W |
Dimensions |
W |
1053mm (41 1/2in) |
H |
299mm (11 3/4in) |
D |
667mm (26 1/4in) |
Net weight |
36kg (79.4lb) |
Others |
Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃ |
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The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.
Technical Specifications
Internal processing | 32bit (Accumulator=58bit) | Sampling frequency rate | Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%) | Signal delay | Less than 2.5ms (INPUT to OMNI OUT @48kHz) | Total harmonic distortion
Input Gain=Min. | CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz | Frequency response | CH INPUT to OMNI OUT
0, +0.5, -1.5dB 20Hz to 20kHz | Dynamic range
(Maximum level to noise level) | 110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT) | Hum & noise level | -128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise | Crosstalk(@1kHz) Input Gain=Min | -80dB, Adjacent input channels
-80dB, Input to output | Power requirements | 110V-240V, 50/60Hz | Power consumption | LS9-32: 170W, LS9-16: 95W | Dimensions | LS9-32: 884(W) x 220(H) x 500(D)mm
LS9-16: 480(W) x 220(H) x 500(D)mm | Weight | LS9-32: 19.4kg, LS9-16: 12.0kg |
Analog Input Characteristics
Input terminal
|
Actual load impedance
|
For use with nominal
|
Input level
|
Connector
|
|
GAIN
|
Sensitivity
|
Nominal
|
Max. before clip
|
INPUT 1-n
|
-62dB
+10dB
|
3kohms
|
50-600 ohm Mics & 600ohm Lines
|
-82dBu
|
-62dBu
|
-42dBu
|
XLR3-31 type
|
-10dBu
|
+10dBu
|
+30dBu
|
Analog Output Characteristics
Output terminal
|
Actual source impedance
|
For use with nominal
|
GAIN SW
|
Output level
|
Connector
|
Nominal
|
Max. before clip
|
OMNI OUT 1-n
|
75ohms
|
600ohm Lines
|
+24dB
+18dB
|
+4dBu
-2dBu
|
+24dBu
+18dBu
|
XLR-3-32 type
|
PHONES OUT
|
15ohms
|
8ohm Phones
|
-
|
75mW
|
150mW
|
ST Phone jack
|
40ohm Phones
|
-
|
65mW
|
150mW
|
Digital Output Characteristics
Terminal | Format | Data length | Level | Connector | 2TR IN DIGITAL | COAXIAL | IEC60958 | 24bit | 0.5Vpp/
75ohms | RCA pin jack | 2TR OUT DIGITAL | COAXIAL | IEC60958
(Consumer Use) | 24bit | 0.5Vpp/
75ohms | RCA pin jack |
Control I / O Characteristics
Terminal
|
Format
|
Level
|
Connector
|
NETWORK (Ethernet)
|
100Base-T
|
-
|
RJ45
|
MIDI
|
IN
|
MIDI
|
-
|
DIN-5pin
|
OUT
|
MIDI
|
-
|
DIN-5pin
|
WORD CLOCK
|
IN
|
-
|
TTL/75ohms, Terminated
|
BNC
|
OUT
|
-
|
TTL/75ohms
|
BNC
|
REMOTE
|
-
|
RS422
|
D-sub 9pin(male)
|
LAMP
|
-
|
0V-12V
|
XLR-4-31 type
|
USB HOST
|
USB1.1
|
USB
|
A type USB Connector
| |
Qu-16 takes compact digital mixing to a new level with innovative design and exceptional functionality combining to create a superb professional mixing experience.
Bristling with all the features you'd expect from a top of the range digital console and incorporating technologies pioneered on our GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance.
Whether you're switching from analogue or updating your digital desk, it's time to experience the new digital with Qu-16.
- 16 Mono Inputs (TRS + XLR)
- 3 Stereo Inputs (TRS)
- 4 Stereo FX Returns
- 16 Busses
- 12 Mix Outputs (LR, Mono Mix 1-4, Stereo Mix 1-3)
- 4 FX Engines
- AES Digital Out
- 19" Rack Mountable
- Moving Faders
- Recallable AnaLOGIQ Preamps
- Qu-Drive direct Multitrack Recording / Playback on USB drives
- 800×480 Touchscreen
- iLive FX Library
- dSNAKE Remote Audio Port
- Compatible with ME Personal Mixing System
- Qu-Pad iPad App
- USB Audio Streaming
- DAW MIDI Control
- 4 Mute Groups
- Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs
- Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
- Built-in Signal Generator
- RTA with Peak Band indication
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20 total inputs: 16 mic, (four with XLR/TRS combo connector) and two stereo line (TRS)
Dedicated talkback mic input
Stereo Main L/R outputs (XLR)
Ample monitor outputs (eight total) with 6 mono auxiliary mixes (XLR) and 2 stereo auxiliary mixes.
The 2 stereo aux outputs can drive wired in-ear monitors (IEM) directly.
Mono auxiliaries may be linked for stereo use.
Superb sound quality
Class-A microphone pre-amps
32-bit floating point processing
24-bit AD & DA convertors
Input channels are fully-featured:
Four-band full parametric EQ
Variable high-cut and low-cut filters
Gate
Compressor (with de-esser)
Main and auxiliary outputs feature:
1/3-octave graphic EQ (four-band parametric EQ on stereo auxiliaries)
Limiter
Delay
Notch filters
Four professional quality stereo DSP effects. Choose from:
Two types of reverb
Mono delay
Stereo delay
Chorus
Pitch-change
A pitch correct processor is assignable to any input channel.
Eight DCA and eight mute groups.
Color, capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation.
Great results and easy to use
Input channel preset library features over 100 presets developed by experienced concert engineers specifically for live sound applications.
Wizards assist with input gain adjustment and effects selection and routing.
On board Info system gives you instant access to the user manual.
Save your own channel presets and complete mixer scenes to internal memory or USB device.
Capturing live performance to multi-track has never been easier. Record 22 tracks (all inputs plus a stereo mix) directly to USB hard-drive. Mix down on TouchMix or import into your favorite DAW.
Complete mixer remote control via free iPad® App.
Monitor control via iPhone/iPod Touch App.
Multiple Wi-Fi Connectivity options
Security Lockout Modes
USB Wi-Fi interface and carrying case are included.
| Ui12 packs a complete digital mixing system into a compact, road-rugged stagebox format, with built-in Wi-fi and the ability to be controlled by any connected device via a standard web browser - no Apps, no OS limitations, no constraints on how or where you mix. Tablet/PC/Smartphone Controlled Digital Mixer Integrated Wi-Fi Cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices Use up to 10 control devices (tablets, phones, PCs) simultaneously Legendary Harman Signal Processing from dbx, Digitech, and Lexicon Fully recallable and remote-controlled mic preamps 4-band Parametric EQ, High-Pass Filter, Compressor, De-esser and Noise Gate on input channels 31-band Graphic EQ, Noise Gate and Compressor on all outputs Real-Time Frequency Analyser (RTA) on inputs and outputs 3 dedicated Lexicon FX effects processors: Reverb, Delay and Chorus Subgroups, Mute Groups, View Groups, and more mixer controls Show/Snapshot recall with channel safes and security lockout |
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