RCF M-18 DIGITAL MIXER

19-inch Digital Production Console for Professionals in the Studio or On the Road

Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.

When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.

20 total inputs: 16 mic, (four with XLR/TRS combo connector) and two stereo line (TRS)
Dedicated talkback mic input
Stereo Main L/R outputs (XLR)
Ample monitor outputs (eight total) with 6 mono auxiliary mixes (XLR) and 2 stereo auxiliary mixes.
The 2 stereo aux outputs can drive wired in-ear monitors (IEM) directly.
Mono auxiliaries may be linked for stereo use.
Superb sound quality
Class-A microphone pre-amps
32-bit floating point processing
24-bit AD & DA convertors
Input channels are fully-featured:
Four-band full parametric EQ
Variable high-cut and low-cut filters
Gate
Compressor (with de-esser)
Main and auxiliary outputs feature:
1/3-octave graphic EQ (four-band parametric EQ on stereo auxiliaries)
Limiter
Delay
Notch filters
Four professional quality stereo DSP effects. Choose from:
Two types of reverb
Mono delay
Stereo delay
Chorus
Pitch-change
A pitch correct processor is assignable to any input channel.
Eight DCA and eight mute groups.
Color, capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation.
Great results and easy to use
Input channel preset library features over 100 presets developed by experienced concert engineers specifically for live sound applications.
Wizards assist with input gain adjustment and effects selection and routing.
On board Info system gives you instant access to the user manual.
Save your own channel presets and complete mixer scenes to internal memory or USB device.
Capturing live performance to multi-track has never been easier. Record 22 tracks (all inputs plus a stereo mix) directly to USB hard-drive. Mix down on TouchMix or import into your favorite DAW.
Complete mixer remote control via free iPad® App.
Monitor control via iPhone/iPod Touch App.
Multiple Wi-Fi Connectivity options
Security Lockout Modes
USB Wi-Fi interface and carrying case are included.

GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).

At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.

• Compact digital mixer with scalable, remote I/O
• Systems from 4 to 44 mics
• Easy to use, quick to access, analogue style interface
  
• dSNAKE Cat5 digital snake—up to 120m cable length
• 8.4 inch colour touchscreen for graphical view and setup
• 20 faders, 4 layers, 80 channel strips in a freely customizable layout
• 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
• 8 stereo RackFX engines with dedicated ʽshortʼ returns with 4-band PEQ
• Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
• Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
• LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
• 16 DCAs / mute groups
• Built-in Talkback, RTA and Signal Generator
• I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
• MIDI In/Out and Ethernet Network port
• AviomTM Pro16 compliant Monitor port on main AudioRack
• High end 1dB step recallable mic/line preamps
• User definable channel names and colours
• Engineerʼs mono Wedge and stereo IEM strips
• Input, output and insert soft patchbays
• Quick copy, paste and reset of mixes and parameters
• Libraries, Scenes and Show memories with USB transfer
• Get started quickly with Template Shows
• Dimensions: (W x D x H) 730 x 577 x 159mm
• Weight: 16kg
  

Ultimate sonic performance

Enhanced workflow

Unlimited expandability

The ideal experience

Features

• Compact 40-input channel, 25-bus digital mixing console for Studio and Live application
• 16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
• 17 fully automated motorised 100mm faders allow for instant overview, powerful scene management and DAW control
• 8 XLR outputs plus 6 additional line in/outputs, phones connector and a talkback section with integrated or external mic
• 32 x 32 channel audio interface over USB 2.0, with DAW remote control emulating HUI and Mackie Control
• iPad and iPhone apps for professional remote operation available free of charge - no host PC required
• High-resolution 5" day-viewable Colour TFT for easy viewing of workflow components and parameters
• Main LCR, 6 matrix buses and all 16 mix buses each featuring inserts, 6-band parametric EQ's and full dynamics processing, plus 8 DCA and 6 mute groups
• Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L and PCM70, EMT250, Quantec QRS and more
• 40-bit floating-point DSP features 'unlimited' dynamic range with no internal overload and near-zero overall latency for mixing a total of 48 signals on 25 buses
• Powerful scene management for convenient handling of complex productions
• 48-channel Digital Snake ready via dual AES50 ports, featuring KLARK TEKNIK's SuperMAC networking capability for ultra-low jitter and latency
• USB type - A connector providing file storage and uncompressed stereo recordings plus show presets and system updates
• Dedicated and easy-to-use channel strip section with direct access controls and graphic user interface for intuitive workflow
• Additional user-definable control section allows to set up short-cuts to your favourite views or parameters
• ULTRANET connectivity for Behringer's P-16 Personal Monitoring System
• Networked remote control for show setups with on-screen software editor via Ethernet
• Built-in expansion port for audio interface cards or digital networking bridges
• MIDI In/Out for remote scene recall or controlling other MIDI equipment
• Free future firmware updates downloadable from Behringer

Specifications

• Frequency Range: 10Hz - 22kHz
• Dynamic Range: 106dB
• Output Level: +4dBu / +21dBu (XLR)
• Main Screen: 5'', 800 x 480, 262k Colour TFT
• Main Meter: 18-Segment (-45dB to Clip)
• Power Supply: Switchmode 100V - 240V, 50Hz/60Hz
• Power Consumption: 70W
• Dimensions: 490mm x 506mm x 163mm
• Weight: 11.4kg / 25.1lbs

Processing Channels

• Input Channels: 32
• Aux Channels: 8
• FX Return Channels: 8
• Aux Buses: 16
• Matrices: 6
• Internal Effects Engines: 8 True Stereo / 16 Mono
• Internal Recall Scenes: 100
• Signal Processing: 40-Bit Floating Point
• AD/DA Conversion: 24-Bit @ 44.1kHz/48kHz, 114dB Dynamic Range (Cirrus Logic A/D CS5368, D/A CS4385)
• Local I/O Latency: 0.8ms
• Network I/O Latency: 1.1ms

Connectors

• XLR Inputs: 16 Inputs with Programmable Mic Preamps (Designed by MIDAS)
• Talkback Mic Input: XLR
• XLR Outputs: 8
• RCA Inputs/Outputs: 2/2
• Monitoring Outputs: 2 x 1/4'' Balanced
• Aux Inputs/Outputs: 6/6 x 1/4'' TRS Balanced
• Headphone Outputs: 1 x 1/4'' TRS
• AES50 Ports: 2/2
• Expansion Card Slot: 32 Channel Audio Input/Output
• P-16 Connector: 1
• MIDI Inputs/Outputs: 1/1
• RJ45 Ethernet: 1
• USB Type A: 1

16 + 2 fader configuration in a compact, rack mountable unit.

• Mix channels: 32 mono, 8 stereo.
• Busses: 16 mix, 8 matrix (Input to Matrix supported).
• Local I/O: 16 in, 8 out.
• Fader configuration: 16 + 2 (Master).
• Rack mountable with optional RK1 Rack Mount Kit.