YAMAHA LS9-16 16 channel digital mixer

5,699.00 incl. GR VAT

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The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha’s digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move […]

 

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The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha’s digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there’s also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.  

Technical Specifications  

Internal processing 32bit (Accumulator=58bit)
Sampling frequency rate Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%)
Signal delay Less than 2.5ms (INPUT to OMNI OUT @48kHz)
Total harmonic distortion
Input Gain=Min.
CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz
Frequency response CH INPUT to OMNI OUT
0, +0.5, -1.5dB 20Hz to 20kHz
Dynamic range
(Maximum level to noise level)
110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT)
Hum & noise level -128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise
Crosstalk(@1kHz) Input Gain=Min -80dB, Adjacent input channels
-80dB, Input to output
Power requirements 110V-240V, 50/60Hz
Power consumption LS9-32: 170W, LS9-16: 95W
Dimensions LS9-32: 884(W) x 220(H) x 500(D)mm
LS9-16: 480(W) x 220(H) x 500(D)mm
Weight LS9-32: 19.4kg, LS9-16: 12.0kg

 

Analog Input Characteristics  

Input terminal

Actual load impedance

For use with nominal

Input level

Connector

GAIN

Sensitivity

Nominal

Max. before clip

INPUT 1-n

-62dB
+10dB

3kohms

50-600 ohm Mics & 600ohm Lines

-82dBu

-62dBu

-42dBu

XLR3-31 type

-10dBu

+10dBu

+30dBu

 

Analog Output Characteristics  

Output terminal

Actual source impedance

For use with nominal

GAIN SW

Output level

Connector

Nominal

Max. before clip

OMNI OUT 1-n

75ohms

600ohm Lines

+24dB
+18dB

+4dBu
-2dBu

+24dBu
+18dBu

XLR-3-32 type

PHONES OUT

15ohms

8ohm Phones

75mW

150mW

ST Phone jack

40ohm Phones

65mW

150mW

 

Digital Output Characteristics  

Terminal Format Data length Level Connector
2TR IN DIGITAL COAXIAL IEC60958 24bit 0.5Vpp/
75ohms
RCA pin jack
2TR OUT DIGITAL COAXIAL IEC60958
(Consumer Use)
24bit 0.5Vpp/
75ohms
RCA pin jack

 

Control I / O Characteristics  

Terminal

Format

Level

Connector

NETWORK (Ethernet)

100Base-T

RJ45

MIDI

IN

MIDI

DIN-5pin

OUT

MIDI

DIN-5pin

WORD CLOCK

IN

TTL/75ohms, Terminated

BNC

OUT

TTL/75ohms

BNC

REMOTE

RS422

D-sub 9pin(male)

LAMP

0V-12V

XLR-4-31 type

USB HOST

USB1.1

USB

A type USB Connector

Weight 12.00 kg

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Quick Comparison

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SKUH040.00022SI PERFORMER 3144.191UI-12E007133DM1000VCM
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Description
Content

The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.  

Technical Specifications  

Internal processing 32bit (Accumulator=58bit)
Sampling frequency rate Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%)
Signal delay Less than 2.5ms (INPUT to OMNI OUT @48kHz)
Total harmonic distortion
Input Gain=Min.
CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz
Frequency response CH INPUT to OMNI OUT
0, +0.5, -1.5dB 20Hz to 20kHz
Dynamic range
(Maximum level to noise level)
110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT)
Hum & noise level -128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise
Crosstalk(@1kHz) Input Gain=Min -80dB, Adjacent input channels
-80dB, Input to output
Power requirements 110V-240V, 50/60Hz
Power consumption LS9-32: 170W, LS9-16: 95W
Dimensions LS9-32: 884(W) x 220(H) x 500(D)mm
LS9-16: 480(W) x 220(H) x 500(D)mm
Weight LS9-32: 19.4kg, LS9-16: 12.0kg

 

Analog Input Characteristics  

Input terminal

Actual load impedance

For use with nominal

Input level

Connector


GAIN

Sensitivity

Nominal

Max. before clip

INPUT 1-n

-62dB
+10dB

3kohms

50-600 ohm Mics & 600ohm Lines

-82dBu

-62dBu

-42dBu

XLR3-31 type

-10dBu

+10dBu

+30dBu

 

Analog Output Characteristics  

Output terminal

Actual source impedance

For use with nominal

GAIN SW

Output level

Connector

Nominal

Max. before clip

OMNI OUT 1-n

75ohms

600ohm Lines

+24dB
+18dB

+4dBu
-2dBu

+24dBu
+18dBu

XLR-3-32 type

PHONES OUT

15ohms

8ohm Phones

-

75mW

150mW

ST Phone jack

40ohm Phones

-

65mW

150mW

 

Digital Output Characteristics  

Terminal Format Data length Level Connector
2TR IN DIGITAL COAXIAL IEC60958 24bit 0.5Vpp/
75ohms
RCA pin jack
2TR OUT DIGITAL COAXIAL IEC60958
(Consumer Use)
24bit 0.5Vpp/
75ohms
RCA pin jack

 

Control I / O Characteristics  

Terminal

Format

Level

Connector

NETWORK (Ethernet)

100Base-T

-

RJ45

MIDI

IN

MIDI

-

DIN-5pin

OUT

MIDI

-

DIN-5pin

WORD CLOCK

IN

-

TTL/75ohms, Terminated

BNC

OUT

-

TTL/75ohms

BNC

REMOTE

-

RS422

D-sub 9pin(male)

LAMP

-

0V-12V

XLR-4-31 type

USB HOST

USB1.1

USB

A type USB Connector

Si Performer 3 Highlights

Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer

2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.

Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!

1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.

TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.

Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!

DMX interface - control sound and light from the same device.

BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.

Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.

Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.

D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.

Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.

Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.

Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.

Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.






Key Features

  •  32 mono mic inputs
  •  8 line inputs
  •  80 channels to mix
  •  2 ViSi Connect™ option card slots for 128 x 96 input/output paths
  •  Pre/Post selection per input per bus
  •  Freely assignable faders and patching
  •  Soundcraft FaderGlow™
  •  Colour backlit LCD screens per fader
  •  GEQ on every bus
  •  20 sub-group / aux busses
  •  4 FX busses
  •  8 Matrix busses
  •  LRC Mix busses
  •  LCR panning
  •  4 Stereo Lexicon Effects engines
  •  Delay on inputs and outputs
  •  8 Mute Groups
  •  8 VCA Groups
  •  AES in and out
  •  DMX interface and control - control sound and light simultaneously
  •  Freely assignable insert loops
  •  Harman HiQnet integration
  •  Colour touch screen interface

Features

 

  • 16 acclaimed AnaLOGIQTM recallable preamps
  • 16 on-board Mic / Line Inputs (XLR / TRS)
  • Expandable up to 38 inputs via dSNAKETM
  • 3 Stereo Inputs (TRS)
  • 32 Mono + 3 Stereo Input Channels
  • 12 on-board Mix Outputs (XLR)
  • 4 Stereo Groups
  • 2 Stereo Matrix Outs
  • AES Digital Out
  • 4 DCA Groups
  • 4 Mute Groups
  • Qu-Pad iPad App for all live mixing controls
  • Qu-You iPhone App for personal monitoring
  • Qu-Drive direct Multitrack Recording / Playback on USB drives
  • 15 Soft Keys
  • 16 Custom Select keys
  • Qu-Control custom screen to suit application
  • 4 FX Engines
  • 4 FX Sends / Returns
  • 32×32 USB Audio Interface
  • 5” Touchscreen
  • iLive FX Library
  • Compatible with ME Personal Mixing System
  • Trim, polarity, HPF, gate, insert / ducker, 4-band PEQ, compressor and delay on all Inputs
  • Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
  • Built-in Signal Generator
  • RTA with Peak Band indication

Ui12 packs a complete digital mixing system into a compact, road-rugged stagebox format, with built-in Wi-fi and the ability to be controlled by any connected device via a standard web browser - no Apps, no OS limitations, no constraints on how or where you mix. Tablet/PC/Smartphone Controlled Digital Mixer Integrated Wi-Fi Cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices Use up to 10 control devices (tablets, phones, PCs) simultaneously Legendary Harman Signal Processing from dbx, Digitech, and Lexicon Fully recallable and remote-controlled mic preamps 4-band Parametric EQ, High-Pass Filter, Compressor, De-esser and Noise Gate on input channels 31-band Graphic EQ, Noise Gate and Compressor on all outputs Real-Time Frequency Analyser (RTA) on inputs and outputs 3 dedicated Lexicon FX effects processors: Reverb, Delay and Chorus Subgroups, Mute Groups, View Groups, and more mixer controls Show/Snapshot recall with channel safes and security lockout18-Channel Digital Mixer
  • Remote controlled via built-in router with Wi-Fi, Ethernet and multi-channel USB audio interface
  • 16 Mic/Line XLR/Combo jack inputs
  • Inputs: 2 x Line - 6.3 mm jack
  • Outputs: Main XLR
  • 6 AUX / Monitor sends
  • 4 Integrated effects processors
  • 100 Band Analyser
  • Stereo headphone output
  • Ultranet monitor connection
  • MIDI in-/output
  • iOS, Android and other software apps available free of charge
  • 3 U
  • Installation depth: 114 mm
  • Dimensions with rack ears and protection bumpers (W x H x D): 333 x 140 x 150 mm
  • Dimensions without rack ears and protection bumpers (B x H x T): 311 x 132 x 150 mm
  • Weight: 3.2 kg
  • Includes a rackmount chassis
Further Information
Buses 6
Inputs 18
Channels (max. amount) 18
DCA (Digitally Contr. Amp.) Yes
Card Slot (external) No
Touchscreen No
Offline Editing Yes
Demountable Stagebox No
External Power Supply No
Port For Ext. Power Supply No
19" Rack Unit Yes
Built in Audio player No

19-inch Digital Production Console for Professionals in the Studio or On the Road

Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.


When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.


Outline
Mixing capability Mixing channels 48
GROUP 8
AUX 8
MAIN Stereo
Input channel functions Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan
Output channel functions Attenuator, 4-band PEQ, Compressor, Delay
On-board processors 4x SPX multi effectors
I/O Mic inputs 16
Phantom power +48V DC; ON/OFF per channel
Line inputs 4x Omni in
AD converter 24-bit; 128-time over sampling
Line outputs 12x Omni output
DA converter 24-bit; 128-time over sampling
Digital I/O 2x 2tr in/out
Expansion slots 2x Mini-YGDAI (16-in/16-out)
Control and others To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O
General specifications
Internal processing 32bit, Accumulator: 58bit
Sampling frequency rate Internal 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
External 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%)
Signal delay Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz)
Total harmonic distortion Less than 0.05% (20Hz-40kHz)
Frequency response 0, +0.5, -1.5dB 20Hz-40kHz
Dynamic range DA: 110dB; AD+DA: 106dB
Hum & noise level Equivalent input noise -128dBu
Residual output noise -86dBu
Crosstalk -80dB
Power requirements AC100V, 120V, 220-240V 50/60 Hz
Power consumption 135W
Dimensions W 436mm; 17-3/16in
H 200mm; 7-7/8in
D 585mm; 23-1/16in
Net weight 20kg; 44.1lbs
Accessories Owner's Manual, Studio Manager Installation Guide, AC power cord
Weight12.00 kg10.00 kg6.60 kg4.60 kg3.00 kg20.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 12.00 kg
Weight 10.00 kg
Weight 6.60 kg
Weight 4.60 kg
Weight 3.00 kg
Weight 20.00 kg

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