| Content | The directional condenser microphones equipped on the TM-2X are the same mics used in our highly-regarded DR-series recorders. The X-Y pattern and two mic capsules are ideal for capturing a true representation of the sonic atmosphere, whether it\'s sound from a wide area or directly in front of the camera. As a result, the TM-2X records pristine sound that fits naturally with the recorded video.
Setup is as simple as connecting the cord from the TM-2X to the camera\'s mic input jack allowing you to add high-quality audio to video. The output can be set to one of two levels to enable compatibility with a variety of cameras.
TM-2X SPECIFICATIONS
| Microphone type |
cardioid |
| Frequency range |
50Hz to 20kHz |
| Input output ratings |
|
| Maximum input level |
120dB SPL (at 1kHz, SENS:H, LCF=Flat, RL:2.2kΩ, Vcc:2.5V) |
| Output impedance |
1.6k ohms (RL:2.2kΩ, Vcc:2.5V) |
| S/N ratio |
74dB (at 1kHz, 1Pa, A weighted) |
| Mic sensitivity switch |
SENS H:-37dB, SENS L:-52dB
(at 1kHz, 0dB=1V/Pa, RL:2.2kΩ, Vcc:2.5V) |
| Connection cable/plug |
|
| Cable length |
33cm |
| Plug |
3.5 mm (1/8\'“) TRS stereo mini plug
(Tip: left channel, Ring: right channel, Sleeve: GND) |
| Power |
Plug-in power (JEITA standard CP-1203A) |
| Dimensions |
|
| TM-2X main unit |
57(W)×59(H)×69(D)mm(not including cable and connectors) |
| Noise isolation arm |
34(W)×57(H)×142(D)mm |
| Weight |
|
| TM-2X main unit |
75g |
| Noise isolation arm |
41g |
| Operating temerature |
-5 to 45˚C
23 to 142˚F |
| Accessories |
Fur windscreen, noise isolation arm, Owner\'s Manual, warranty |
| The RØDE VideoMic is a professional grade 1/2" condenser shotgun microphone designed for use with consumer video cameras and personal audio recorders.
The integrated shock mounting system isolates the VideoMic capsule and electronics from its all-metal shoe mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone.
Its standard sized shoe mount also includes a 3/8" thread in the base for easy mounting on a boom pole or stand. (note that cameras with proprietary sized mounts require an additional adaptor.)
Its super cardioid polar pattern is highly directional, focusing on the subject in front of the camera, and minimising any surrounding sounds.
In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.
A -10dB and -20dB level attenuation (or PAD), selectable from inside the battery compartment, allows recording of loud sound sources, such as live music or motorsport.
The RØDE VideoMic directional on-camera microphone is covered by RØDE Microphones' industry leading 10 year warranty.
| Frequency response |
40Hz-20kHz, selectable HPF @ 80Hz/12dB/octave |
| Sensitivity |
-38 dB re 1 Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
| Ιmpedance |
200Ω |
| Τotal harmonic distortion |
134dB SPL (@ 1kHz, 1% THD into 1KΩ load) |
| Dimensions |
250mm x 65mmx 102mm |
| Weight |
176gm |
|
Clear, directional audio on the GO!
Compact and light weight by design, the VideoMic GO delivers clear, crisp, directional audio with incredible ease of use. Its tight pickup area focuses directly in front of the microphone and reduces other surrounding sounds, ensuring that your subject is isolated from distracting background noise.
The integrated Rycote® Lyre® shock mount isolates your microphone from bumps and vibrations that could otherwise interfere with your sound.
Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.
The VideoMic GO has no complicated switches or settings and is powered by your camera's external microphone input, requiring no batteries to operate, ensuring you never miss a great shot.
Acoustic Principle Line Gradient
Frequency Range 100Hz ~ 16,000Hz
Equivalent Noise 34dBA SPL (A - weighted per IEC651)
Signal Noise 60dB SPL (A - weighted per IEC651)
Power Required Plug-in power required (330uA @ 2.5V)
Dimensions 167mmL x 79mmH x 70mmD
Directional Pattern Super-Cardioid
Sensitivity -35dB re 1V/Pa (17.8mV @ 94dB SPL) ±2dB @ 1kHz
Maximum SPL 120dB (@ 1kHz, 1% THD into 1kΩ load)
Dynamic Range 96dB (per IEC651)
Output Connection 3.5mm stereo mini-jack
Weight 73g
|
Internally switchable proximity effect compensation and sensitivity reduction.
The BCM 104 condenser microphone is the first product in the new Broadcast Line,
which is especially tailored to the demands of professional radio announcing.
What sets the Broadcast Line apart is a completely independent, functionally-
optimized design derived from extensive 3D simulations.
The large-diaphragm condenser capsule used in the BCM 104 has a cardioid directional
pattern with internally switchable proximity effect compensation. A second switch allows
the sensitivity to be reduced by 14 dB.
The microphone headgrill twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrills so that, for reasons of hygiene, each announcer working at an
announcing desk can use his or her individual headgrill.
Directly in front of the capsule, mounted on a frame holder, is a piece of fine gauze that
serves as a built-in popscreen.
The BCM 104 has an elastic mount against structure-borne noise, that is compatible with
standard broadcast-segment microphone arms.
Features:
Cardioid microphone for broadcast & studio
Large diaphragm condenser capsule with
switchable proximity compensation
Distinctive design
Integrated pop screen
Quick release head grille for easy cleaning
Individual head grilles available for each user
Acoustic features
The microphone headgrill houses the K 04 large-diaphragm capsule, which has a flat frequency
response up to 3 kHz. Higher frequencies have an increased presence of 2 dB maximum.
Since the above-mentioned microphone characteristics are obtained without the use of resonance
effects, the microphone features excellent transient response and transmits all transient phenomena
of music and speech without any coloration.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm.
The pop screen can be removed for cleaning without the use of tools.
Electrical features
Instead of a transformer to couple the microphone output to the supply voltage, the BCM 104
has an electronic circuit which, like a transformer, provides for good common mode rejection.
Interference induced in the balanced modulation line is thus suppressed as usual.
With a very low self-noise of 7 dB(A), and an overload capability extending to 138 dB SPL,
the BCM 104 has a dynamic range of 131 dB (DIN/IEC 651).
Filter and Preattenuation
The BCM 104 amplifier has a linear operation down to 20 Hz. An active filter efficiently suppresses
signals below this frequency. In order to compensate for the proximity effect, a high-pass filter,
electronically activated by a switch, is built into the microphone. This filter reduces frequencies
below 100 Hz by 12 dB/octave.
A 14-dB preattenuation switch is provided in order to adjust the sensitivity, if necessary,
to transmission circuits designed for dynamic microphones. But this will increase the
self noise by 14 dB.Both switches are located inside the microphone housing, since they
will normally be operated only once, when the broadcasting facility is set up.
Mounting
The preferred mode of operation is to suspend the BCM 104 from a standard studio boom arm.
A thread adapter to fit different connector threads is included.
In order to provide protection from structure-borne noise, both the capsule and the microphone
in its mount are elastically suspended.
The optional SG 5 swivel mount allows additional angling of the BCM 104 by +/-90 degrees.
Application hint:
While designed to be an announcer's mic for broadcasting and studio, this is
just one of the most common applications. With additional experimentation,
you will gain maximum use from this microphone.
Technical Description:
Acoustical operating principle: Pressure gradient transducer
Directional pattern: Cardioid
Frequency range: 20 Hz -- 20 kHz
Sensitivity at 1 kHz into 1 kohm: 22 mV/Pa
-14 dB attenuation: 4.4 mV/Pa
Rated impedance: 50 ohms
Rated load impedance: 1000 ohms
Equivalent SPL CCIR 468-3: 18 dB
Equivalent SPL DIN/IEC 651: 7 dB-A
S/N ratio CCIR 468-3: 76 dB
S/N ratio DIN/IEC 651: 87 dB
Maximum SPL for THD 0.5%: 138 dB
Maximum SPL for THD 0.5% with preattenuation: 152 dB
Maximum output voltage: 10 dBu
Dyn. range of the mic. amplifier DIN/IEC 651: 131 dB
Supply voltage: 48 V +/- 4 V
Current consumption: 3.2 mA
Matching connector: XLR 3 F
Weight: 500 g
Diameter: 64 mm
Length: 85 mm
|
The MD 46 is a high-quality reporter's microphone with cardioid pick-up pattern. It has been specially optimised for rough use in live reporting and broadcasting environments. The MD 46 is a very 'good-natured' microphone whose design avoids wind and handling noise problems. Colour: black, sound inlet basket: refined steel, black.
Features - Two-ply sound inlet basket provides increased protection from wind and pop noise
- Rugged metal housing
- Rubber mounted capsule ensures low sensitivity to handling noise
- Cardioid pick up pattern ensures excellent speech intelligibility even with high ambient noise levels
| Type: | Dynamic, Reporting | | Pick Up Pattern: | omni-directional | | Frequency response: | 40 - 18 000 Hz | | Sensitivity: | 2,0 mV/Pa | | Ιmpedance: | 350 Ohm | | Dimensions: | Ø 49 x 250 mm | | Weight: | 360 gr | | Use: | Video/Broadcast |
|
Based on models originally developed for use in the broadcast of the Sydney Olympics in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone's internal matrixing system or choosing discreet Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer. A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.
Designed for broadcasters, videographers and sound recordists
Compact, lightweight design is perfect for camera-mount use
Independent Line-cardioid and Figure-of-eight condenser elements
Switchable low-frequency roll-off
Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes
Includes a 0.61 m (24“) cable (5-pin XLRF to two standard 3-pin XLRM connectors)
RoHS compliant - free from all substances specified in the EU directive on hazardous substances
Frequency Response: 30-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Mid: -30 dB (31.6 mV) re 1V at 1 Pa; Side: -34 dB (19.9 mV) re 1V at 1 Pa; LR Stereo: -36 dB (15.8 mV) re 1V at 1 Pa
Impedance: 200 ohms
Maximum Input Sound Level: Mid: 123 dB SPL, 1 kHz at 1% T.H.D.; Side: 127 dB SPL, 1 kHz at 1% T.H.D.; LR Stereo: 126 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Mid: 101 dB, 1 kHz at Max SPL; Side: 101 dB, 1 kHz at Max SPL; LR Stereo: 102 dB, 1 kHz at Max SPL
Signal to Noise Ratio: Mid: 72 dB SPL, 1 kHz at 1 Pa; Side: 68 dB SPL, 1 kHz at 1 Pa; LR Stereo: 70 dB SPL, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 4 mA typical at 48V, each channel
Weight: 142 g (5.0 oz)
Dimensions: 380.0 mm (14.96“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral XLR5M-type
Cable: Dual 0.61 m (24“) shielded two-conductor, terminated in two XLR3M-type connectors
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; AT8135 foam windscreen; 5/8“-27 to 3/8“-16 threaded adapter; protective carrying case
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