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INPUT
Connectors: 1/4" TRS, female XLR (pin 2 hot)
Type: Electronically balanced/unbalanced, RF filtered
Impedance: Balanced 40k ohm, unbalanced 20k ohm
Max Input Level: >+21dBu balanced or unbalanced
CMRR: >40dB, typically >55dB at 1kHz
OUTPUTS
Connectors: 1/4" TRS, male XLR (pin 2 hot)
Type: Impedance-balanaced/unbalanced, RF filtered
Impedance: Balanced 100 ohm, unbalanced 50 ohm
Max Output Level: >+21dBu balanced/unbalanced into 2k ohm or greater
>+18dBm balanced/unbalanced (into 600 ohm)
SYSTEM PERFORMANCE
Bandwidth: 20Hz to 20kHz, +0.5/-1dB
Frequency Response: 50kHz, +0.5/-3dB
Dynamic Range: Typically >112dB
Signal-to-Noise: Typically >95dB
THD+Noise: | The DPX Series was created in response to our dealers, contractors and users requesting a simple solution requiring general EQ and comp/limiting. Two products have
been developed, the DPX-100 Graphic Equalizer & Compressor/Limiter and DPX-200
Parametric Equalizer & Compressor/Limiter. Using proven circuitry from our popular MQX and PQX series equalizers and combining
these features with our CLX series compressor/limiters provides two tools no audio system
should be without. By combining the features and benefits of two processors into one unit,
the result is two powerful tools providing a simple solution to everyday audio applications.
The EQ section of the DPX-100 is a 15-band, constant Q, 2/3 octave, ISO center, precision
wein bridge filter design. Other EQ features are: frequency range from 25Hz to 16KHz,
selectable 15dB or 6dB range, 25mm faders with 'center off' position, EQ in/out switch,
signal present and clip LEDs and switchable 18dB/octave -20Hz high pass filter. Two separate inputs are available in the DPX-200; a microphone preamp with input pad
and a line input. An input select switch and input level control are located on the front
panel. The EQ section consists of 4 bands of filtering; two full-bandwidth parametric EQs
as well as a low-shelf and high-shelf filter. Other EQ features are: in/out switching for
each filter, cut and boost of 15dB, signal present and clip LEDs, and master EQ level control.
The compressor/limiter section uses peak detection circuitry and has individual controls
for gain, threshold, ratio, attack, release and output level. More compressor/limiter features
include: in/out switch, 11-stage LED gain reduction meter, selectable 11-stage LED input/output
level meter, and a detector patch point for frequency-selective limiting or ducking. Additional features of the DPX-100 and DPX-200 are: the equalizer section and
compressor/limiter may be used independently or chained together in series, balanced
XLR and inputs and outputs, extremely low noise and distortion, internal power supply
and Ashly's five-year worry-free warranty.
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Precision Wein-bridge filters |
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Constant "Q" design for low ripple and minimum interaction |
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High quality detented 25mm faders |
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Compressor/Limiter use peak detection circuitry |
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Balanced Inputs and Outputs |
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Five Year Warranty |
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* 2 channel 15 2/3 octave band graphic equalizer
* 25Hz - 16kHz frequency control * Constant Q circuitry
(3% frequency accuracy) * Selectable 6dB or 12dB control
* Variable level control * By-pass switch * Overload threshold LED (5dB below clipping) * Ground lift switch * XLR & 1/4" TRS balanced Inputs/Outputs * Power: Selectable 120V/220V voltage
* Dimensions: 1.75" H x 19" W x x 8.5" D / 44.5mm x 483mm x 216mm - 1 space r.m. * Weight: 4.5 lbs. / 2.5kg
XEQ-152 Specifactions:
* Input type: Active balanced / Unbalanced * Output Impedance: |
- Audiophile 31-band stereo graphic equalizer for live and studio applications
- Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
- Ultra-low noise 4580 operational amplifiers for highest signal integrity
- Dedicated Limiters with gain reduction meters for each channel protect your sound system from overload and distortion
- Pink noise generator provides test signals to adapt your sound system to any room acoustics
- Mono subwoofer output with dedicated level control and adjustable crossover frequency
- Additional sweepable high and low-cut filters for each channel remove unwanted frequencies e.g. floor rumble, hiss etc.
- Highly accurate 8-segment LED input/output metering and input gain controls for easy level setting
- Relay-controlled hard bypass with an auto-bypass function during power failure (fail-safe relay)
- Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
- “Planet Earth" switching power supply for maximum flexibility (100
- 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
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iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?
With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.
The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.
? Advanced Feedback Suppression (AFS?)
? Type V? Noise Reduction
? PeakStopPlus? Limiting
? 2/3-octave Constant Q frequency bands
? Switchable boost/cut ranges of ±6 or ±15dB
? 18 dB per octave 40Hz low-cut filter
? ±12dB input gain range
? XLR, TRS and Euroblock Inputs and Outputs
? Internal Toroidal Transformer
? Frequency Response of 10Hz to 22kHz
? Dynamic range of greater than 113dB
? User Power Up Features
? Relay Bypass for Power Failure System Protection
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- Compact 9.5" graphic equaliser for studio and live applications
- FBQ feedback detection system
- Can also be used as an audio analyser
- Low-cut filter
- Precise 6-segment LED input/output displays and level control for precise level indication
- Illuminated faders, potentiometers and illuminated switches
- Weight: 0.38 kg
The MINIFBQ FBQ800 features Behringer's FBQ Feedback Detection System that instantly reveals critical frequencies and can also be used as an audio analyzer. An additional low cut filter removes unwanted frequencies such as floor rumble. Accurate 6-digit LED input/output meters and level control are provided for precise level indication. Long-term reliability is guaranteed with Behringer's high-quality illuminated faders, potentiometer and illuminated switches. The ultralow noise audio operational amplifiers offer outstanding sound performance. In addition, all Mini Series models can be stacked on top of each other to create an ultra-compact signal processing solution.
How Does it Work?
Imagine the frequency range of the sound you hear as a highway, a very wide one with nine lanes. Each of these "lanes” represents a single octave of the sonic spectrum. The first four lanes, labeled 63 - 500 (Hz) contain the really low frequency sound content, mainly bass, bass vocals, and the kick and tom drums. The three lanes labeled 1k, 2k and 4k (Hz), make up the fundamental zone of most musical instruments and the male and female vocals. 8k and 16k cover the frequency range of cymbals, snare drums and higher pitched percussion instruments. The FBQ800 allows you to control the flow of audio traffic in each of these nine lanes. When properly applied, EQ makes it possible to hear all of these frequency ranges equally, thus the term equalization.
Feedback Elimination
When a specific frequency, or range of frequencies, reaches too high a level, feedback occurs—that all-too-familiar squeal or howl you get when the mic is too close to the speaker. Basically, feedback happens when there is so much of a particular frequency that it is picked up by the mic and run through the system again. Thatʼs why feedback typically gets louder and louder the longer itʼs allowed to occur. Needless to say, this kind of feedback is very undesirable.
This is where the FBQ800ʼs Feedback Detection System really works its magic. In this ingenious circuitry, LEDs on the individual faders light up when that frequency band is approaching the danger zone. All you need do is lower the illuminated slider until the LED blinks out—voilà, feedback problem solved! What once required a highly trained ear is now an activity that even a child can master.
Sonic Toolkit…
That really is the best way to describe the FBQ800. With its nine frequency bands, you easily fine-tune your sound and instantly eliminate feedback. And each fader can be used to boost or cut the frequency range it controls by as much as 12 dB (and thatʼs a lot!).
Special attention is paid to the low frequency zone. In addition to low frequency faders, the FBQ800 features a Low Cut filter for removing unwanted low frequencies such as floor rumble, room resonance, electrical hum, etc. This is especially handy if your system is being used for speech rather than music.
To Boost or to Cut, That is the Question
Raising and lowering specific frequency bands can improve the frequency response of any roomʼs acoustics. For instance, if the room youʼre in is "bass-heavy,” lowering the 63 and 125Hz faders can help eliminate an overall "boomy” or "muddy” sound. Likewise, gently boosting the 8 and 16k sliders can add sparkle to a somewhat "dark” mix. Are the vocals getting lost in the mix? Raising the level of the 1k slider can help bring them out.
Itʼs important to note that raising a single fader level is not always the best solution; itʼs often better to lower the bands surrounding the frequency you want to bring out, and then boost the overall volume level to achieve better headroom.
Built for Accuracy and Reliability
Speaking of headroom, FBQ800ʼs 6-digit LED I/O meters and level control are provided for precise level maintenance. Long-term reliability is ensured, thanks to high-quality illuminated faders and switches, and our ultra low-noise audio operational amplifiers provide outstanding sonic performance. In addition, all Mini Series components can be stacked to create an ultra-compact signal processing solution.
Mini Series mixer with built-in feedback detection.
FEATURES
- Ultra-compact 9.5" graphic equalizer for studio and stage applications
- FBQ Feedback Detection system instantly reveals critical frequencies
- Additional Low-cut filter removes unwanted frequencies, like floor rumble
- 6-segment LED input/output meters and Level control for precise level indication
- High-quality illuminated faders, potentiometers and illuminated switches
- Low noise audio operational amplifiers offer excellent sound performance
SPECIFICATIONS
MINIFBQ FBQ800 9-Band Graphic Equalizer with FBQ
- INPUT
- Type 1/4" TRS connectors (balanced) or
- RCA connectors (unbalanced)
- Impedance approx. 20k ohms, balanced
- approx. 10k ohms, unbalanced
- CMRR 40 dB typ. @ 1 kHz
- Max. input level +15 dBu
- OUTPUT
- Type 1/4" TS connectors (unbalanced) or
- RCA connectors (unbalanced)
- Impedance approx. 120 ohms
- Max. output level +15 dBu
- SYSTEM SPECIFICATIONS
- Frequency response 10 Hz to 200 kHz, -3 dB
- Dynamic range 110 dB, 10 Hz to 22 kHz
- Distortion 0.003 % typ. @ 0 dBu
- Crosstalk
- Signal-to-noise ratio 10 Hz - 22 kHz
- GRAPHIC EQUALIZER
- Type 9 analog stereo bands
- Control range ±6 dB or ±12 dB, switchable
- Bandwidth 1 oct.
- OTHER FEATURES
- Low-cut filter 75 Hz (12 dB/oct.)
- Input level control -12 dB to +12 dB
- POWER SUPPLY
- Mains connection external power supply
- 9 V ~ / 750 mA
- Mains voltage
- DIMENSIONS/WEIGHT
- Dimensions (H x W x D) approx. 1 8/9" (48 mm) x 9 5/9" (243 mm) x 4 5/7" (120 mm)
- Weight approx. 0.86 lbs. ( 0.39 kg)
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