PRESONUS DIGIMAX LT- 8 CH.MIC PREAMP w-ADAT LIGHTPIPE OUTPUT

The DigiMAX LT is essential to the modern digital studio. Eight channels of pristine mic
preamplification, inserts on every channel, and an internal power supply set this unit apart
from anything on the market. Each channel features our award-winning, high performance,
dual servo microphone preamplifiers with 48V phantom power, and -20dB pad. Each channel
features a Neutrik?connector that accepts line level or microphone input. DigiMAX LT digital
synchronization is achieved by offering word clock in and out via BNC connectors. The sample
rate can be set on the front panel to 48K, 44.1K, and 32K providing compatibility across multiple
platforms.
The DigiMAX LT provides TRS inserts on every channel to allow external dynamics processors
or equalizers to be placed in the signal chain. The DigiMAX LT is the perfect partner for recording
systems such as DigiDesign 002?, MOTU828, MOTU 2408? as well as numerous digital mixers
and hard disk recorders.
 
 Features 
? ADAT? LightPipe Output
? Eight Dual Servo Mic Preamps and Line Inputs
? Eight TRS Insert Points
? Linear Internal Power Supply
? 48V Phantom Power on Each Channel
? -20dB Pad on Each Channel
? Adjustable Sample Rates
? BNC I/O for Sync

Technical Specifications
Number of Channels Eight
Input
Input Impedance, XLR Input 1.3k Ohms
Input Impedance, Line Level Input 10k Ohms
Connectors Neutrik? Combo
Panel Controls
Gain 0dB to +40dB
Pad -20 dB
Phantom Power +48 V
Meters
Signal Present LED -20dBu
Clip LED +22dBu
Output
ADAT? LightPipe Digital Optical 24-bit
Insert (TRS)
Send (Unbalanced) 51 Ohms
Return (Unbalanced) 10k Ohms
Digital
Sampling Rates 32kHz, 44.1kHz, 48kHz
Performance
Headroom +22dB
Frequency Response 20Hz-50kHz
THD + Noise (Unweighted) 98dB
Analog Dynamic Range >120dB
Power Supply Rejection >98dB
Amplifier Type Dual Servo
Power Supply
Type Linear, Internal Input: 100/120/220/240V AC (Factory Configured)
Power 80 Watts
Physical
Size 1U Rack
Dimensions 19" x 1.75" x 9“
Weight 10 lbs./ 4.5 kg.
Chassis Steel
Panel Aluminum

The PreSonus HP60 is the most flexible and advanced headphone amplifier system available for professional and project recording studios as well as live sound in-ear monitoring systems. Loaded with six independent,
loud and clear headphone amplifiers, the HP60 features dual stereo inputs as well as external input, for each
channel allowing you to mix between three stereo audio streams (mix A, mix B, and external input). Stereo output is also available on each channel to send line level headphone channel mixes to additional headphone amplifiers or monitor systems. Each channel features headphone level, mix control between A and B inputs, external input volume, mute and mono. The HP60 also features talkback via external XLR microphone input. Common set up of the HP60 in a recording session is to send the main control room mix to input A. Send the click track to input B. Send the each band member direct recording input to each channelʼs external input (more me). This will allow each band member to create a mix between the main mix, the click track and themselves. The HP60 is the ultimate headphone amplification system delivering loud and clear headphone mixes for real-world recording situations.

Features:
-Six independent ultra low noise, high output headphone amplifiers (150 mW per channel)
-Two sets of stereo inputs (A and B) with balanced TRS connectors
-Stereo external input point on each channel for "more me” with trim control
-Mix control between inputs A and B
-Talkback with external XLR microphone with control
-Direct stereo line output on each channel

Applications

Console input extending for both Digital and Analog mixing
consoles in Studio, Live and Broadcast
Mic Pre-amps for ADAT/ Hard Disk/ Multitrack Recording
 
Innovation
If you love your compact Digital (or Analog) mixing console, but wish it had
more microphone inputs, ARX has the solution ? the 8 Pre: eight channels
of superb sounding Microphone Pre-amps in a compact 1 RU chassis.
The 8 Pre is the ideal console extender for those times when you need more
microphone inputs. Now you can put those unused line inputs to good use,
and who knows - the 8 Pre pre-amps sound so good that you?ll probably end
up using them all the time instead of the ones that came with your mixer!
Superb Audio Quality
The 8 Pre?s ultra low noise figures come from extensive use of premium
components plus care and attention to board design and layout. The result is
superb, transparent audio quality and the headroom to handle anything that a
mic can throw at it.
Gain is adjustable from 20 db through to 60 dB via a trim control on the front
panel, plus we?ve included a ?20dB Pad switch to tame the hottest condenser
mic output if required. The Clip status LED lights up 1 dB before the onset of
clipping, just to warn you you?re getting close.Phantom power is switchable in
banks of four channels: 1 through 4, 5 through 8. A Phase reverse switch is also
provided on each pre-amp channel to eliminate any close miking problems.
In short, the ARX 8 Pre is the mic Pre-amp that you?ll wish the console manufacturer
had used. It provides a unique solution to today?s multiple Mic Pre-amp requirements.

T E C H N I C A L S P E C I F I C A T I O N S
Input Gain 20dB to 60dB
Input Pad ?20dB
Input Impedance 4 KOhm
Input Headroom +23dB
Output Impedance 300 Ohm
Output Level (Max) +23dB
Frequency Response 20Hz ? 20KHz ±0.2 dB
Signal to Noise ratio (Gain set @ 20 dB)
?93dB Unweighted, ?99dB ?A? weighted
Distortion @ Unity Gain .004%, 20 Hz ? 10 KHz
Dynamic Range 116 dB
Phantom Power 48 VDC
Input Connectors Balanced XLR
Output Connectors Balanced TRS jack
Clip Indicator Illuminates 1 dB prior to clipping
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm

The CPR12 is an easy to use, flexible and multifunctional 10 channel pre-amplifier. Six of these input channels are selectable between Mic / Line level and equipped with a 3 band tone control. The first two can be switched to priority and phantom power. The other four channels are direct line inputs.

Every input channel has its own gain and fader volume control with PFL button which makes it possible to pre-listen each input or output channel with the built-in pre-listening speaker, and can be routed to one or both output channels. This makes the CPR12 a full two-zone system.

Other present features are a priority input, a recording output, separate sub-out channels and the 24 V DC emergency power connection. This last feature makes it possible to power the CPR12 with emergency power when the main power is shut down. In this case, the priority input will automatically mute all input signals, and a evacuation message will be announced. The steel 19" housing has a height of 2 HE.

• 10 audio input sources
• 6 Mic / Line inputs with 3 band EQ
• 4 Direct Line Inputs
• Fader volume control
• Two output zones
• Built-in pre-listening speaker
• Priority input for emergency situations
• + 15 V DC Phantom power
• Works on 24 V DC emergency power
  

• Model Name / Type: CPR12 / 10 channel 2 zone pre-amplifier
• THD+N:
• Signal/Noise: > 90 dB
• Frequency Response: 20 Hz - 20 kHz
• Phantom Power: + 15 V DC
• Emergency Power: + 24 V DC
  
• Power Supply: 100 - 240 V AC / 50 - 60 Hz
• Dimensions (W x H x D): 420 x 88 x 320 mm

The PRE-73 Mk2 pre-amp and the FC3 condenser microphone in one bundle. The bundle also includes Golden Age P1 Pop Filter, Proel RSM180 mic stand and Proel CHL250 5m cable.