| Content | DESCRIPTION
The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact advanced interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.
The most powerful & portable RME Audio USB Interface :
This unique audio system is capable of transferring analog and digital audio data directly to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user.
Compact, portable, and packed with features from their premier interfaces, the RME Fireface UCX II is a desktop 20x20 USB audio/MIDI interface that effectively serves as a mobile version of RME's respected UFX rackmount models, earning it the flexibility to benefit musicians, content creators, and serious engineers alike. Not only is it a capable interface with plenty of analog and digital I/O for your DAW-based productions, but it also supports powerful remote control options and standalone operation to accommodate a myriad of workflows and recording scenarios. Additionally, it can record all I/O channels directly to USB flash storage thanks to the internal DURec digital recorder.
Since it has eight analog inputs—two high-gain mic/line preamps, two line / Hi-Z inputs, and four rear-panel line inputs, the Fireface UCX II can easily handle dynamic and condenser mics, electric instruments, and professional line-level devices. With six balanced TRS line outputs and a stereo headphone jack, it has no problem feeding monitors, cans, and even CV/gate inputs on synth gear. Reference-class clocking and compliance with resolutions up to 24-bit / 192 kHz enable the interface to perform at its best, and a crisp color display shows metering for all inputs and outputs at the same time.
The Fireface UCX II is a highly integrated pro-audio solution in an ultracompact format for studio and live recordings. It continues RME's long tradition of designing advanced compact interfaces, packing into a half-rack size unit what usually would be spread outover two or three 19" panels.
With up to 20 channels for recording and playback, SteadyClock FS, high-performance microphone inputs, parametric EQ, dynamics processing, echo, reverb, DURec (Direct USB Recording), MIDI I/O, a powerful headphone output, and full standalone operation, the Fireface UCX II excels with RME's highest feature-to-space ratio ever.
- Full standalone operation, no computer required
- DURec-integrated digital recorder allows you to record directly to USB memory devices
- All channels (20 inputs and 20 outputs) can be individually chosen for recording and playback
- CV/gate low-latency voltage control for automating synthesizers, mixing consoles, and effects
- SteadyClock FS reference-class digital clocking
- USB out for ARC USB remote control (available separately)
- Compatible with TotalMix FX for iPad
- DIGICheck turns the interface into a highly versatile front-end for audio measurements and software development
- Class-compliant mode for Linux environments
- Crisp high-resolution color display shows metering for all input and output channels
- Two XLR-1/4" combo mic/line preamps with phantom power and up to 75 dB of gain, plenty even for low-output dynamic mics such as the Shure SM7B
- Two 1/4" TRS inputs for balanced line-level sources or unbalanced Hi-Z instruments
- Input sensitivity for line/Hi-Z inputs switchable to 19 or 13 dBu
- Four rear-panel balanced 1/4" TRS line-level inputs with up to 12 dB of gain, perfect for patching in synths or outboard gear
- All analog inputs are digitally controlled
- Six balanced 1/4" TRS line outputs with high dynamic range (115 dBA) and three selectable output levels (+19, +13, or +4 dBu)
- High-power 1/4" stereo headphone output
- 8-channel ADAT I/O via TOSLINK optical ports
- 2-channel AES3 I/O via breakout cable
- 2-channel S/PDIF I/O via breakout cable
- USB Type-B host connection for Mac/Windows/Linux supports USB 2.0 and 3.0 standards
- DIN 5-pin MIDI I/O for connecting keyboard controllers, arranger workstations, and synthesizers
- BNC wordclock jack can be assigned as an input or output
- Barrel input for AC power adapter
| Form Factor |
Tabletop |
| Channels of I/O |
Analog:
8 Inputs / 8 Outputs
Digital:
12 Inputs / 12 Outputs |
| Max Sample Rate/Resolution |
192 kHz / 24-Bit |
| Number of Mic Preamps |
2 |
| Input Level Adjustment |
1 x Knob |
| Expansion Slots |
None |
| Pad |
None |
| Gain/Trim Range |
1/4" Hi-Z Inputs:
+6 dB
Combo XLR-1/4" Mic/Line Inputs:
+75 dB
1/4" Line Inputs:
+12 dB |
| High-Pass Filter |
None |
| Solo/Mute |
None |
Connectivity
| Analog Audio I/O |
2 x Combo XLR-1/4" TRS Balanced Mic/Line Input (Front Panel)
2 x 1/4" TRS Balanced/Unbalanced Line/Hi-Z Input (Front Panel)
4 x 1/4" TRS Balanced Line Input
6 x 1/4" TRS Balanced Line Output
1 x 1/4" TRS Unbalanced Headphone Output (Front Panel) |
| Phantom Power |
48 V, Selectable On/Off |
| Digital Audio I/O |
1 x TOSLINK Optical ADAT Input
1 x TOSLINK Optical ADAT Output
1 x XLR 3-Pin AES3 Input (on Breakout Cable)
1 x XLR 3-Pin AES3 Input (on Breakout Cable)
1 x RCA Coaxial S/PDIF Input (on Breakout Cable)
1 x RCA Coaxial S/PDIF Output (on Breakout Cable) |
| Host Connection / USB |
1 x USB Type-B (USB 2.0) |
| USB (Non-Host) |
1 x USB Type-A (External Storage) |
| Sync I/O |
1 x BNC Word Clock Input or Output |
| Network I/O |
None |
| MIDI I/O |
1 x DIN 5-Pin Input
1 x DIN 5-Pin Output |
| Other I/O |
1 x DE-9/DB-9 9-Pin Breakout Cable In/Out |
| Wireless Connectivity |
None |
Performance
| Max Input Level |
1/4" Hi-Z Inputs:
+13 dBu (Min Gain)
-5 dBu (Max Gain)
Combo XLR-1/4" Mic Inputs:
+18 dBu (Min Gain)
-57 dBu (Max Gain)
Combo XLR-1/4" Line Inputs:
+24 dBu (Min Gain)
-51 dBu (Max Gain)
1/4" Line Inputs:
+19 dBu (Min Gain)
+1 dBu (Max Gain) |
| Max Output Level |
Line/Headphone Outputs:
+19 dBu |
| Headphone Output Power |
210 mW per Channel into 32 Ohms (Max, 0.1% THD) |
| Impedance |
Combo XLR-1/4" Mic Inputs:
5.4 Kilohms
Combo XLR-1/4" Line Inputs:
10 Kilohms (Balanced)
5 Kilohms (Unbalanced)
1/4" Line Inputs:
12 Kilohms (Balanced)
8 Kilohms (Unbalanced)
Line Outputs:
75 Ohms
Headphone Outputs:
1 Ohm |
| Dynamic Range |
Line Outputs:
115 dB (A-Weighted)
112 dB RMS (Unweighted) |
| SNR |
1/4" Line Inputs:
115 dB (A-Weighted)
112 dB RMS (Unweighted) |
Digital Audio
| Sample Rates |
Up to 192 kHz |
| Sample Rate Conversion |
None |
| Bit Depths |
24-Bit |
| Sync Sources |
ADAT, AES3, Internal, S/PDIF, Word Clock |
| Memory Card Slot |
None |
Compatibility
| OS Compatibility |
macOS
Windows
Linux |
| Included Software |
None |
| Compatible Software (Not Included) |
Any Core Audio (Mac) Compliant Software |
| Included Plug-Ins |
None |
| Mobile Device Compatibility |
None |
| Required Hardware |
Available USB 2.0 Port or USB 3.0 / 3.1 Gen 1 Port |
| Internet Connection |
Required for Registration, Software/Driver Download |
Power
| Power Requirements |
AC/DC Power Adapter (Not Included) |
| AC/DC Power Adapter |
9 to 18 VDC (Not Included) |
| Power Consumption |
12 W |
Physical
| Rackmount Size |
1 RU (1/2-Rack) |
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![]() | ![]() | ![]() | 8 channels of premium 24-bit 192K AD/DA conversion | | | ![]() | ![]() | 4 digitally controlled 75db microphone preamps | | | ![]() | ![]() | 2 fully balanced inserts on mic pre channels | | | ![]() | ![]() | 4 Hi-Z instrument inputs capable of handling high level instruments | | | ![]() | ![]() | 2 individual, controllable and assignable high level headphone outputs | | | ![]() | ![]() | 2, 6 or 8 channel monitor outputs | | | | ![]() | 8 channels of ADAT I/O | | | | ![]() | FireWire 400 I/O, compatible with OS X Core Audio (no driver required) | | | | ![]() | 2 channels of SPDIF I/O | | | | ![]() | “Soft Limit” for maximum digital input level without overs | | | | ![]() | “UV22HR” for superior dither of 24 bit resolution down to 16-bit | | | | ![]() | Advanced, dual-stage "Intelliclock” | | | | ![]() | Complete integration and control with Appleʼs Logic Pro Software | | | | ![]() | Compatibility with any CoreAudio software applications | | | | ![]() | Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro |
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Behringer UFO202 USB Audio Interface
The Behringer U-Phono UFO202 is a high-quality USB audio interface with built-in phono preamp and massive software package for digitalizing your tapes and vinyl records.
Features
- High-quality USB audio interface connects your turntable, cassette player, etc. with your computer for recording and playback
- Transfer and restore your valuable vinyl records and tapes to your computer via a simple USB connection
- Massive software bundle includes Audacity vinyl restoration, noise-reduction, editing and recording software, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
- Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
- Phono input switchable to line input source
- Stereo output allows easy connection and playback of computer audio files over your home sound system
- High-resolution 48 kHz converters for high-end audio quality
- Stereo Headphone output with dedicated Level control lets you monitor your input source
- Works with your PC or Mac computer -- no setup or drivers required
- Powered via USB--no external power supply needed
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
Compact and Versatile
Equipped with RCA inputs and outputs, the U-Phono UFO202 can connect to a myriad of equipment such as tape decks, sound modules and active monitors, plus many more. Additionally, when you connect the UF202's outputs to your mixer's input channels, you have the ability to access EQ, Aux Sends and much more - allowing you to create extremely versatile mixes for your recording sessions.
48kHz Precision
The Behringer UFO202 provides pristine 48kHz resolution to ensure that your favourite vinyl records are recorded with the detail and quality your music deserves.
Audacity Audio Editor Software
The Behringer U-Phono UFO202 USB Audio Interface comes supplied with a free open source audio editor and multi-track recorder software - Audacity. Please visit the Behringer web page for download links here.
Specifications
- Input Connector: RCA, Unbalanced
- Input Impedance: Approx. 27kΩ
- Maximum Input Level: 2dBV
- Output Connector: RCA, Unbalanced
- Output Impedance: Approx. 400Ω
- Maximum Output Level: 2dBV
- Digital Output: Toslink, Optical
- Digital Output Format: S/PDIF
- USB: Type A
- Converter: 16-Bit
- Sample Rate: 32kHz, 44.1kHz, 48kHz
- Frequency Response: 10Hz - 20kHz ±1dB @ 44.1kHz Sample Rate
- 10Hz - 22kHz ±1dB @ 48kHz Sample Rate
- Crosstalk: -77dB @ 0dBV, 1kHz
- Power Supply: USB, 5V 100mA Maximum
- Dimensions: 0.87" x 3.46" x 2.36" / 22mm x 88mm x 60mm (H x W x D)
- Weight: 0.10kg
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Turn your computer into a powerful digital audio workstation with eight mic inputs. Or add eight high-quality mic/instrument inputs to your current system.
The 8pre FireWire audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I/O. Expand your system by connecting additional 8pres or other MOTU FireWire audio interfaces.
The 8pre as your primary audio interface
Use the included CueMix™ software to mix all 16 inputs from your computer. Eight channels of ADAT optical I/O make the 8pre an ideal companion for a digital mixer. Two ADAT lightpipe connections work together to support a full 8 channels of optical digital I/O at any sample rate up to 96kHz.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Then monitor all of these live inputs via the 8preʼs main outs or headphone jack — with virtually no monitoring latency and no processor drain on your computer. You can even create separate monitor mixes for the main outs and headphones. Control everything, including talk-back and listen-back, from the included CueMix Console™ software, just like a large studio console.
The 8pre includes a 16-channel MIDI interface. Simply plug in your FireWire cable, and both MIDI and audio are ready to go. Connect any MIDI device, such as a controller keyboard, synth module, automated control surface or drum machine. Timing is sample-accurate with supporting software.
The 8pre provides cross-platform compatibility with Mac OS X 10.3 or higher, Windows XP and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac OS, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
The 8pre as a microphone preamp expansion interface
The 8pre is really two products in one. When it is not connected to a computer via FireWire, the 8pre functions as an eight-channel analog to digital (optical) converter. Connect the 8pre to your MOTU 828, 896, Traveler or even another 8pre via the optical "lightpipe” connection to add eight high-quality microphone pre-amps to your system. Since the connection is digital, 100% pristine sound is maintained, down to the very last sample.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
The 8pre is the perfect way to instantly add eight more mic inputs to any audio interface or digital mixer with optical I/O. If you have a MOTU interface with on-board CueMix DSP mixing, such as the 828mkII, 896HD or Traveler, the 8pre inputs appear directly in the host interface's CueMix mixer to becomes a transparent extension of your system, operating together with your primary interface as a single, integrated unit — even when the host interface is not connected to a computer and is instead operating as a stand-alone mixer.
If you have a 2408mk3, digital mixer or other audio device that supports 96kHz optical and also has two optical inputs, the 8pre connects to it via both optical ports to provide a full eight channels of analog to optical conversion at the 88.2 or 96kHz sample rates.
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The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.
The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.
The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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Mbox® is a premium audio interface, packing a wide range of analog and digital I/O connections into a mobile form factor.
* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* Bus-powered USB 2.0 connection for maximum mobility
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 96 kHz sample rates
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Hardware configuration:
o 4 x 4 simultaneous channels of I/O
o 2 XLR mic/line combo inputs with 48 V phantom power
o 2 1/4” DI inputs on front panel for easy access
o 2 balanced 1/4” monitor outputs
o 1 1/4” stereo headphone output with volume control
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Monitor control section with Mono and Dim controls
o Dedicated monitor volume knob
Pro Tools LE Software
Pro Tools 8 Software
The Pro Tools® software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.
Key Features
* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers
System Requirements
Mac PC
* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One USB port
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One USB port
Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers ![]( "MBOX")
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