YAMAHA M7CL-32 32 channel digital mixer

Discontinued

Original price was: €17,700.00.Current price is: €17,169.00. incl. GR VAT

Out of stock

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The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the ‘CentralogicTM’ control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will […]

 

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The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the ‘CentralogicTM’ control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that ‘digital is difficult’. A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear.  

Technical Specifications  

Internal processing

32bit (Accumulator=58bit)

Sampling frequency rate

Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%)

Signal delay

Less than 2.5ms (INPUT to OMNI OUT @48kHz)

Total harmonic distortion
Input Gain=Min.

CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz @+4dB into 600ohms

Frequency response

CH INPUT to OMNI OUT
0, +0.5,-1.5dB 20Hz to 20kHz @+4dB into 600ohms

Dynamic range
(maximum level to noise level)

110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT)

Hum & noise level

-128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise

Crosstalk(@1kHz) Input Gain=Min

-80dB, Adjacent input channels
-80dB, Input to output

Power requirements

110V-240V, 50/60Hz

Power consumption

M7CL-48: 300W, M7CL-32: 250W

Dimensions

M7CL-48: 1274(W) x 286(H) x 701(D)mm, 50kg
M7CL-32: 1060(W) x 286(H) x 701(D)mm, 42kg

Weight

M7CL-48: 50kg, M7CL-32: 42kg

 

Analog Input Characteristics  

Input terminal

Actual load impedance

For use with nominal

Input level

Connector

GAIN

Sensitivity

Nominal

Max. before clip

INPUT 1-n
ST IN 1-4[L,R]

-62dB
+10dB

3kohms

50-600ohm Mics & 600ohm Lines

-82dBu

-62dBu

-42dBu

XLR3-31 type

-10dBu

+10dBu

+30dBu

TALKBACK

-60dB
-16dB

3kohms

50-600ohm Mics &
600ohm Lines

-70dBu
-26dBu

-60dBu
-16dBu

-40dBu
+4dBu

XLR3-31 type

 

    

Analog Output Characteristics  

Output terminal

Actual source impedance

For use with nominal

GAIN SW

Output level

Connector

Nominal

Max. before clip

OMNI OUT 1-16

75ohms

600ohm Lines

+24dB
+18dB

+4dBu
-2dBu

+24dBu
+18dBu

XLR-3-32 type

PHONES

15ohms

8ohm Phones

75mW

150mW

ST Phone jack

40ohm Phones

65mW

150mW

 

Digital Output Characteristics  

Terminal

Format

Data length

Level

Connector

2TR OUT DIGITAL

AES3

24bit

RS422

XLR3-32 type (Balanced)

 

Control I / O Characteristics  

Terminal

Format

Level

Connector

ETHERNET

ETHERNET

RJ45

MIDI

IN

MIDI

DIN-5pin

OUT

MIDI

DIN-5pin

WORD CLOCK

IN

TTL/75ohms

BNC

OUT

TTL/75ohms

BNC

REMOTE

RS422

D-sub 9pin(male)

LAMP 1, 2

0V-12V

XLR-4-31 type

USB HOST

USB1.1

A type USB Connector

 

 

 

Weight 42.00 kg

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Quick Comparison

YAMAHA M7CL-32 32 channel digital mixer removeYAMAHA CL1 16 channel digital mixer removeSOUNDCRAFT Si EXPRESSION 3 DIGITAL MIXER - 32 CHANNELS- removeQSC TouchMix-16 16 channel Digiatl Mixer removeALLEN AND HEATH GLD 80 Digital Mixer removeSOUNDCRAFT Si EXPRESSION 2 DIGITAL MIXER - 24 CHANNELS- remove
NameYAMAHA M7CL-32 32 channel digital mixer removeYAMAHA CL1 16 channel digital mixer removeSOUNDCRAFT Si EXPRESSION 3 DIGITAL MIXER - 32 CHANNELS- removeQSC TouchMix-16 16 channel Digiatl Mixer removeALLEN AND HEATH GLD 80 Digital Mixer removeSOUNDCRAFT Si EXPRESSION 2 DIGITAL MIXER - 24 CHANNELS- remove
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SKUH040.00018CL-1Si EXPRESSION 3010312144.106Si EXPRESSION 2
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Price Original price was: €17,700.00.Current price is: €17,169.00. incl. GR VAT Original price was: €14,305.37.Current price is: €13,590.10. incl. GR VAT Original price was: €4,716.28.Current price is: €4,245.00. incl. GR VAT Original price was: €1,900.00.Current price is: €1,749.00. incl. GR VAT Original price was: €6,230.23.Current price is: €4,599.00. incl. GR VAT Original price was: €3,971.46.Current price is: €3,574.98. incl. GR VAT
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Description
Content

The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the 'CentralogicTM' control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that 'digital is difficult'. A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear.  

Technical Specifications  

Internal processing

32bit (Accumulator=58bit)

Sampling frequency rate

Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%)

Signal delay

Less than 2.5ms (INPUT to OMNI OUT @48kHz)

Total harmonic distortion
Input Gain=Min.

CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz @+4dB into 600ohms

Frequency response

CH INPUT to OMNI OUT
0, +0.5,-1.5dB 20Hz to 20kHz @+4dB into 600ohms

Dynamic range
(maximum level to noise level)

110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT)

Hum & noise level

-128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise

Crosstalk(@1kHz) Input Gain=Min

-80dB, Adjacent input channels
-80dB, Input to output

Power requirements

110V-240V, 50/60Hz

Power consumption

M7CL-48: 300W, M7CL-32: 250W

Dimensions

M7CL-48: 1274(W) x 286(H) x 701(D)mm, 50kg
M7CL-32: 1060(W) x 286(H) x 701(D)mm, 42kg

Weight

M7CL-48: 50kg, M7CL-32: 42kg

 

Analog Input Characteristics  

Input terminal

Actual load impedance

For use with nominal

Input level

Connector


GAIN

Sensitivity

Nominal

Max. before clip

INPUT 1-n
ST IN 1-4[L,R]

-62dB
+10dB

3kohms

50-600ohm Mics & 600ohm Lines

-82dBu

-62dBu

-42dBu

XLR3-31 type

-10dBu

+10dBu

+30dBu

TALKBACK

-60dB
-16dB

3kohms

50-600ohm Mics &
600ohm Lines

-70dBu
-26dBu

-60dBu
-16dBu

-40dBu
+4dBu

XLR3-31 type

 

    

Analog Output Characteristics  

Output terminal

Actual source impedance

For use with nominal

GAIN SW

Output level

Connector

Nominal

Max. before clip

OMNI OUT 1-16

75ohms

600ohm Lines

+24dB
+18dB

+4dBu
-2dBu

+24dBu
+18dBu

XLR-3-32 type

PHONES

15ohms

8ohm Phones

-

75mW

150mW

ST Phone jack

40ohm Phones

-

65mW

150mW

 

Digital Output Characteristics  

Terminal

Format

Data length

Level

Connector

2TR OUT DIGITAL

AES3

24bit

RS422

XLR3-32 type (Balanced)

 

Control I / O Characteristics  

Terminal

Format

Level

Connector

ETHERNET

ETHERNET

-

RJ45

MIDI

IN

MIDI

-

DIN-5pin

OUT

MIDI

-

DIN-5pin

WORD CLOCK

IN

-

TTL/75ohms

BNC

OUT

-

TTL/75ohms

BNC

REMOTE

-

RS422

D-sub 9pin(male)

LAMP 1, 2

-

0V-12V

XLR-4-31 type

USB HOST

USB1.1

-

A type USB Connector

 

 

 

Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.

  • Input channels: 48 mono, 8 stereo.
  • Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section .
  • Meter bridge optional.
 

General specifications

Sampling frequency rate Internal 44.1kHz / 48kHz
External 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
Signal delay Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz
Total harmonic distortion Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.
Frequency response +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT
Dynamic range 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.
Crosstalk -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min.
Power requirements US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz
Power consumption 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W
Dimensions W 648mm (25 5/8in)
H 299mm (11 3/4in)
D 667mm (26 1/4in)
Net weight 24kg (52.9lb)
Others Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃

Drawing on more than a decade of experience in the field of digital audio mixing, the Soundcraft® Si Expression exploits some of the newest DSP, component technology and manufacturing techniques to deliver our most powerful cost effective digital console ever! Each console in the range is identical in its feature set so your only choice is how many faders and local mic amps you want. With a range covering the super portable 19" rack mount Expression 1 to the mighty Si Expression 3 with its 30+2 faders and 32 mic/line inputs there is a model to meet all needs.

Taking the Si Expression 2 as a typical example, it features 24 recallable mic pre amps (32 on Si Expression 3 and 16 on Si Expression 1) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow™ to light the way so you are never lost.

All Si Expression consoles have busses, output processing and connectivity to match the versatility of the inputs; the 14 aux/group mixes can be configured as 14 mono mixes, 8 mono plus 6 stereo mixes or almost anything in between, whilst the 4 matrix mixes can be mono or stereo as needed. The bus and matrix mixes are complemented with four more mix busses dedicated to the internal Lexicon FX processors all in addition to the left, right and centre busses. Each bus mix features a compressor, 4 band EQ, BSS graphic EQ and delay always available all of the time. Output connectivity is comprehensive with all models featuring 16 balanced line outputs, headphone monitor out, AES out and of course the 64x64 option slot.

To complement the channel and bus processing all Si Expression consoles integrate four stereo Lexicon FX processors based on the MX400 providing a wealth of sounds, user adjustable parameters and dedicated tap-tempo keys. As the FX are hardware based, use of all the effects, even on the most demanding programmes does not affect other processing in any way and all dynamics, EQs, filters, delays, and GEQs remain available regardless what you are doing.

Flexible onboard and expansion I/O options ensure your Si Expression integrates effortlessly with other system components utilising any of the Si series option cards including AES, Firewire/USB/ADAT*1, AVIOM™, CobraNet™, BSS Digital Audio Bus (BLU Link)*1, Dante™*1 CAT5 or optical MADI. The MADI card, as well as being an interface to multi-track recording systems or plug-in systems like Waves, enables linking the Si Expression to any of the Soundcraft or Studer stageboxes to extend the I/O power and flexibility. Adding a stagebox to an Si Expression actually increases the number of channels you can mix at once not just how many inputs you have available to choose from! It is said ʽPower is nothing without controlʼ and here the Si Expression excels with a comprehensive but 'simple to use' control surface incorporating a dedicated control for every parameter, a row of global mode encoders and colour touch screen ensuring operation is quick and easy.

As you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of the latest generation EMMA™ DSP processor, the same DSP platform that has helped propel previous Soundcraft Si series consoles to fame. All this power united with reliability, flexibility and usability puts the Si Expression in a class of its own.

*1 Expected spring/summer 2013

Si Expression Highlights
•     D.O.G.S. (Direct Out Gain Stabiliser) – Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
•     Security Lockout – Lock the whole console or just selected elements, manage the security with the users and profile settings.
•     Assignable Fader Layers – Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
•     Copy & Paste – Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
•     TOTEM™ – The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
•     BSS® GEQ – With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
•     1 Control = 1 Function – With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Expression controls to be labelled on the surface just as they would have been on an analogue mixer.
•     Global Mode Controls – A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
•     Soundcraft FaderGlow® – Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
•     Instant Access Keys – Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-4, TAP TEMPO and more negate the need to dive into screen & context menus.
•     Function Focus – Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc...
•     Everything Everywhere – All channels and busses have a full complement of processing, nothing to assign or configure.

Key Features
      24 (32 - Si Expression 3, 16 – Si Expression 1) mono mic inputs
      4 line inputs
      Colour touch screen interface
      66 channels to mix possible
      Pre/Post selection per input per bus
      AES in and out
      Global mode encoders
      Soundcraft FaderGlow™
      GEQ on every bus
      20 sub-group / aux busses
      4 FX busses
      8 Matrix busses
      LR and C Mix busses
      4 Stereo Lexicon Effects engines
      Delay on inputs and outputs
      4 Mute Groups
      Freely assignable insert loops
      Harman HiQnet integration
      64x64 channel option card slot

20 total inputs: 16 mic, (four with XLR/TRS combo connector) and two stereo line (TRS)
Dedicated talkback mic input
Stereo Main L/R outputs (XLR)
Ample monitor outputs (eight total) with 6 mono auxiliary mixes (XLR) and 2 stereo auxiliary mixes.
The 2 stereo aux outputs can drive wired in-ear monitors (IEM) directly.
Mono auxiliaries may be linked for stereo use.
Superb sound quality
Class-A microphone pre-amps
32-bit floating point processing
24-bit AD & DA convertors
Input channels are fully-featured:
Four-band full parametric EQ
Variable high-cut and low-cut filters
Gate
Compressor (with de-esser)
Main and auxiliary outputs feature:
1/3-octave graphic EQ (four-band parametric EQ on stereo auxiliaries)
Limiter
Delay
Notch filters
Four professional quality stereo DSP effects. Choose from:
Two types of reverb
Mono delay
Stereo delay
Chorus
Pitch-change
A pitch correct processor is assignable to any input channel.
Eight DCA and eight mute groups.
Color, capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation.
Great results and easy to use
Input channel preset library features over 100 presets developed by experienced concert engineers specifically for live sound applications.
Wizards assist with input gain adjustment and effects selection and routing.
On board Info system gives you instant access to the user manual.
Save your own channel presets and complete mixer scenes to internal memory or USB device.
Capturing live performance to multi-track has never been easier. Record 22 tracks (all inputs plus a stereo mix) directly to USB hard-drive. Mix down on TouchMix or import into your favorite DAW.
Complete mixer remote control via free iPad® App.
Monitor control via iPhone/iPod Touch App.
Multiple Wi-Fi Connectivity options
Security Lockout Modes
USB Wi-Fi interface and carrying case are included.

GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).

At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.

  • Compact digital mixer with scalable, remote I/O
  • Systems from 4 to 44 mics
  • Easy to use, quick to access, analogue style interface
  • dSNAKE Cat5 digital snake—up to 120m cable length
  • 8.4 inch colour touchscreen for graphical view and setup
  • 20 faders, 4 layers, 80 channel strips in a freely customizable layout
  • 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
  • 8 stereo RackFX engines with dedicated ʽshortʼ returns with 4-band PEQ
  • Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
  • Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
  • LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
  • 16 DCAs / mute groups
  • Built-in Talkback, RTA and Signal Generator
  • I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
  • MIDI In/Out and Ethernet Network port
  • AviomTM Pro16 compliant Monitor port on main AudioRack
  • High end 1dB step recallable mic/line preamps
  • User definable channel names and colours
  • Engineerʼs mono Wedge and stereo IEM strips
  • Input, output and insert soft patchbays
  • Quick copy, paste and reset of mixes and parameters
  • Libraries, Scenes and Show memories with USB transfer
  • Get started quickly with Template Shows
  • Dimensions: (W x D x H) 730 x 577 x 159mm
  • Weight: 16kg

Drawing on more than a decade of experience in the field of digital audio mixing, the Soundcraft® Si Expression exploits some of the newest DSP, component technology and manufacturing techniques to deliver our most powerful cost effective digital console ever! Each console in the range is identical in its feature set so your only choice is how many faders and local mic amps you want. With a range covering the super portable 19" rack mount Expression 1 to the mighty Si Expression 3 with its 30+2 faders and 32 mic/line inputs there is a model to meet all needs.

Taking the Si Expression 2 as a typical example, it features 24 recallable mic pre amps (32 on Si Expression 3 and 16 on Si Expression 1) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow™ to light the way so you are never lost.

All Si Expression consoles have busses, output processing and connectivity to match the versatility of the inputs; the 14 aux/group mixes can be configured as 14 mono mixes, 8 mono plus 6 stereo mixes or almost anything in between, whilst the 4 matrix mixes can be mono or stereo as needed. The bus and matrix mixes are complemented with four more mix busses dedicated to the internal Lexicon FX processors all in addition to the left, right and centre busses. Each bus mix features a compressor, 4 band EQ, BSS graphic EQ and delay always available all of the time. Output connectivity is comprehensive with all models featuring 16 balanced line outputs, headphone monitor out, AES out and of course the 64x64 option slot.

To complement the channel and bus processing all Si Expression consoles integrate four stereo Lexicon FX processors based on the MX400 providing a wealth of sounds, user adjustable parameters and dedicated tap-tempo keys. As the FX are hardware based, use of all the effects, even on the most demanding programmes does not affect other processing in any way and all dynamics, EQs, filters, delays, and GEQs remain available regardless what you are doing.

Flexible onboard and expansion I/O options ensure your Si Expression integrates effortlessly with other system components utilising any of the Si series option cards including AES, Firewire/USB/ADAT*1, AVIOM™, CobraNet™, BSS Digital Audio Bus (BLU Link)*1, Dante™*1 CAT5 or optical MADI. The MADI card, as well as being an interface to multi-track recording systems or plug-in systems like Waves, enables linking the Si Expression to any of the Soundcraft or Studer stageboxes to extend the I/O power and flexibility. Adding a stagebox to an Si Expression actually increases the number of channels you can mix at once not just how many inputs you have available to choose from! It is said ʽPower is nothing without controlʼ and here the Si Expression excels with a comprehensive but 'simple to use' control surface incorporating a dedicated control for every parameter, a row of global mode encoders and colour touch screen ensuring operation is quick and easy.

As you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of the latest generation EMMA™ DSP processor, the same DSP platform that has helped propel previous Soundcraft Si series consoles to fame. All this power united with reliability, flexibility and usability puts the Si Expression in a class of its own.

*1 Expected spring/summer 2013

Si Expression Highlights
•     D.O.G.S. (Direct Out Gain Stabiliser) – Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
•     Security Lockout – Lock the whole console or just selected elements, manage the security with the users and profile settings.
•     Assignable Fader Layers – Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
•     Copy & Paste – Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
•     TOTEM™ – The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
•     BSS® GEQ – With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
•     1 Control = 1 Function – With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Expression controls to be labelled on the surface just as they would have been on an analogue mixer.
•     Global Mode Controls – A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
•     Soundcraft FaderGlow® – Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
•     Instant Access Keys – Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-4, TAP TEMPO and more negate the need to dive into screen & context menus.
•     Function Focus – Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc...
•     Everything Everywhere – All channels and busses have a full complement of processing, nothing to assign or configure.

Key Features
      24 (32 - Si Expression 3, 16 – Si Expression 1) mono mic inputs
      4 line inputs
      Colour touch screen interface
      66 channels to mix possible
      Pre/Post selection per input per bus
      AES in and out
      Global mode encoders
      Soundcraft FaderGlow™
      GEQ on every bus
      20 sub-group / aux busses
      4 FX busses
      8 Matrix busses
      LR and C Mix busses
      4 Stereo Lexicon Effects engines
      Delay on inputs and outputs
      4 Mute Groups
      Freely assignable insert loops
      Harman HiQnet integration
      64x64 channel option card slot

Weight42.00 kg24.00 kg25.00 kg3.00 kg16.00 kg19.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 42.00 kg
Weight 24.00 kg
Weight 25.00 kg
Weight 3.00 kg
Weight 16.00 kg
Weight 19.50 kg