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The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the 'CentralogicTM' control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that 'digital is difficult'. A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear.
Technical Specifications
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Internal processing
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32bit (Accumulator=58bit)
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Sampling frequency rate
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Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%)
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Signal delay
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Less than 2.5ms (INPUT to OMNI OUT @48kHz)
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Total harmonic distortion
Input Gain=Min.
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CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz @+4dB into 600ohms
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Frequency response
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CH INPUT to OMNI OUT
0, +0.5,-1.5dB 20Hz to 20kHz @+4dB into 600ohms
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Dynamic range
(maximum level to noise level)
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110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT)
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Hum & noise level
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-128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise
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Crosstalk(@1kHz) Input Gain=Min
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-80dB, Adjacent input channels
-80dB, Input to output
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Power requirements
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110V-240V, 50/60Hz
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Power consumption
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M7CL-48: 300W, M7CL-32: 250W
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Dimensions
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M7CL-48: 1274(W) x 286(H) x 701(D)mm, 50kg
M7CL-32: 1060(W) x 286(H) x 701(D)mm, 42kg
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Weight
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M7CL-48: 50kg, M7CL-32: 42kg
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Analog Input Characteristics
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Input terminal
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Actual load impedance
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For use with nominal
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Input level
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Connector
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GAIN
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Sensitivity
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Nominal
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Max. before clip
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INPUT 1-n
ST IN 1-4[L,R]
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-62dB
+10dB
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3kohms
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50-600ohm Mics & 600ohm Lines
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-82dBu
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-62dBu
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-42dBu
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XLR3-31 type
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-10dBu
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+10dBu
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+30dBu
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TALKBACK
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-60dB
-16dB
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3kohms
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50-600ohm Mics &
600ohm Lines
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-70dBu
-26dBu
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-60dBu
-16dBu
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-40dBu
+4dBu
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XLR3-31 type
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Analog Output Characteristics
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Output terminal
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Actual source impedance
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For use with nominal
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GAIN SW
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Output level
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Connector
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Nominal
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Max. before clip
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OMNI OUT 1-16
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75ohms
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600ohm Lines
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+24dB
+18dB
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+4dBu
-2dBu
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+24dBu
+18dBu
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XLR-3-32 type
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PHONES
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15ohms
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8ohm Phones
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-
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75mW
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150mW
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ST Phone jack
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40ohm Phones
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-
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65mW
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150mW
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Digital Output Characteristics
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Terminal
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Format
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Data length
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Level
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Connector
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2TR OUT DIGITAL
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AES3
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24bit
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RS422
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XLR3-32 type (Balanced)
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Control I / O Characteristics
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Terminal
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Format
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Level
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Connector
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ETHERNET
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ETHERNET
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-
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RJ45
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MIDI
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IN
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MIDI
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-
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DIN-5pin
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OUT
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MIDI
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-
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DIN-5pin
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WORD CLOCK
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IN
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-
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TTL/75ohms
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BNC
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OUT
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-
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TTL/75ohms
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BNC
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REMOTE
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-
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RS422
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D-sub 9pin(male)
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LAMP 1, 2
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-
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0V-12V
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XLR-4-31 type
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USB HOST
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USB1.1
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-
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A type USB Connector
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Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.
- Input channels: 48 mono, 8 stereo.
- Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section .
- Meter bridge optional.
General specifications
| Sampling frequency rate | Internal | 44.1kHz / 48kHz | | External | 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) | | Signal delay | Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz | | Total harmonic distortion | Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min. | | Frequency response | +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT | | Dynamic range | 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. | | Crosstalk | -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. | | Power requirements | US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz | | Power consumption | 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W | | Dimensions | W | 648mm (25 5/8in) | | H | 299mm (11 3/4in) | | D | 667mm (26 1/4in) | | Net weight | 24kg (52.9lb) | | Others | Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃ |
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Si Performer 3 Highlights
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Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer
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2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.
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Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
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1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
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TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
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Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
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DMX interface - control sound and light from the same device.
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BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
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Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.
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Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.
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D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
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Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
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Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
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Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.
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Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.
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Key Features
• 32 mono mic inputs
• 8 line inputs
• 80 channels to mix
• 2 ViSi Connect™ option card slots for 128 x 96 input/output paths
• Pre/Post selection per input per bus
• Freely assignable faders and patching
• Soundcraft FaderGlow™
• Colour backlit LCD screens per fader
• GEQ on every bus
• 20 sub-group / aux busses
• 4 FX busses
• 8 Matrix busses
• LRC Mix busses
• LCR panning
• 4 Stereo Lexicon Effects engines
• Delay on inputs and outputs
• 8 Mute Groups
• 8 VCA Groups
• AES in and out
• DMX interface and control - control sound and light simultaneously
• Freely assignable insert loops
• Harman HiQnet integration
• Colour touch screen interface
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19-inch Digital Production Console for Professionals in the Studio or On the Road
Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.
When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.
Outline | Mixing capability | Mixing channels | 48 | | GROUP | 8 | | AUX | 8 | | MAIN | Stereo | | Input channel functions | Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan | | Output channel functions | Attenuator, 4-band PEQ, Compressor, Delay | | On-board processors | 4x SPX multi effectors | | I/O | Mic inputs | 16 | | Phantom power | +48V DC; ON/OFF per channel | | Line inputs | 4x Omni in | | AD converter | 24-bit; 128-time over sampling | | Line outputs | 12x Omni output | | DA converter | 24-bit; 128-time over sampling | | Digital I/O | 2x 2tr in/out | | Expansion slots | 2x Mini-YGDAI (16-in/16-out) | | Control and others | To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O | General specifications | Internal processing | 32bit, Accumulator: 58bit | | Sampling frequency rate | Internal | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz | | External | 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%) | | Signal delay | Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz) | | Total harmonic distortion | Less than 0.05% (20Hz-40kHz) | | Frequency response | 0, +0.5, -1.5dB 20Hz-40kHz | | Dynamic range | DA: 110dB; AD+DA: 106dB | | Hum & noise level | Equivalent input noise | -128dBu | | Residual output noise | -86dBu | | Crosstalk | -80dB | | Power requirements | AC100V, 120V, 220-240V 50/60 Hz | | Power consumption | 135W | | Dimensions | W | 436mm; 17-3/16in | | H | 200mm; 7-7/8in | | D | 585mm; 23-1/16in | | Net weight | 20kg; 44.1lbs | | Accessories | Owner's Manual, Studio Manager Installation Guide, AC power cord | |
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Si Performer 2 Highlights
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Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer
| | • |
2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.
| | • |
Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
| | • |
1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
| | • |
TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
| | • |
Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
| | • |
DMX interface - control sound and light from the same device.
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•
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BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
| | • |
Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.
| | • |
Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.
| | • |
D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
| | • |
Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
| | • |
Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
| | • |
Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.
| | • |
Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.
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Key Features
• 24 mono mic inputs
• 8 line inputs
• 80 channels to mix
• 2 ViSi Connect™ option card slots for 128 x 96 input/output paths
• Pre/Post selection per input per bus
• Freely assignable faders and patching
• Soundcraft FaderGlow™
• Colour backlit LCD screens per fader
• GEQ on every bus
• 20 sub-group / aux busses
• 4 FX busses
• 8 Matrix busses
• LRC Mix busses
• LCR panning
• 4 Stereo Lexicon Effects engines
• Delay on inputs and outputs
• 8 Mute Groups
• 8 VCA Groups
• AES in and out
• DMX interface and control - control sound and light simultaneously
• Freely assignable insert loops
• Harman HiQnet integration
• Colour touch screen interface
| Ui12 packs a complete digital mixing system into a compact, road-rugged stagebox format, with built-in Wi-fi and the ability to be controlled by any connected device via a standard web browser - no Apps, no OS limitations, no constraints on how or where you mix. Tablet/PC/Smartphone Controlled Digital Mixer Integrated Wi-Fi Cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices Use up to 10 control devices (tablets, phones, PCs) simultaneously Legendary Harman Signal Processing from dbx, Digitech, and Lexicon Fully recallable and remote-controlled mic preamps 4-band Parametric EQ, High-Pass Filter, Compressor, De-esser and Noise Gate on input channels 31-band Graphic EQ, Noise Gate and Compressor on all outputs Real-Time Frequency Analyser (RTA) on inputs and outputs 3 dedicated Lexicon FX effects processors: Reverb, Delay and Chorus Subgroups, Mute Groups, View Groups, and more mixer controls Show/Snapshot recall with channel safes and security lockout |
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