RME Fireface UCX-II USB 2.0 Audio/Midi Interface ADAT 20X20

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RME Fireface UCX-II Kάρτα Ήχου USB - RME
All products by RME

€1,449.00 incl. GR VAT

Only 1 left in stock (can be backordered)

EAN: 4260123363376
Installments calculation €
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Availability: Available in 1-3 d. Available in 1-3 d. SKU: J08RM00066 Category:
  • Musicians, Content Creators & Engineers
  • USB 2.0 and ADAT Connectivity
  • 2 Mic/Line In, 2 Line/Hi-Z In, 4 Line In
  • 1 Headphone Out, 6 TRS Line Out
  • 24-Bit / 192 kHz AD/DA Conversion
  • AC Powered / Mac, Windows, Linux
  • Phantom Power, MIDI I/O, Wordclock I/O
  • Record all I/O to USB Flash Storage
  • Supports Standalone Operation
  • Powerful Remote Control Options
  • Musicians, Content Creators & Engineers
  • USB 2.0 and ADAT Connectivity
  • 2 Mic/Line In, 2 Line/Hi-Z In, 4 Line In
  • 1 Headphone Out, 6 TRS Line Out
  • 24-Bit / 192 kHz AD/DA Conversion
  • AC Powered / Mac, Windows, Linux
  • Phantom Power, MIDI I/O, Wordclock I/O
  • Record all I/O to USB Flash Storage
  • Supports Standalone Operation
  • Powerful Remote Control Options

 

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DESCRIPTION
The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME’s long tradition of designing compact advanced interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.

The most powerful & portable RME Audio USB Interface :
This unique audio system is capable of transferring analog and digital audio data directly to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user.

Compact, portable, and packed with features from their premier interfaces, the RME Fireface UCX II is a desktop 20×20 USB audio/MIDI interface that effectively serves as a mobile version of RME’s respected UFX rackmount models, earning it the flexibility to benefit musicians, content creators, and serious engineers alike. Not only is it a capable interface with plenty of analog and digital I/O for your DAW-based productions, but it also supports powerful remote control options and standalone operation to accommodate a myriad of workflows and recording scenarios. Additionally, it can record all I/O channels directly to USB flash storage thanks to the internal DURec digital recorder.

Since it has eight analog inputs—two high-gain mic/line preamps, two line / Hi-Z inputs, and four rear-panel line inputs, the Fireface UCX II can easily handle dynamic and condenser mics, electric instruments, and professional line-level devices. With six balanced TRS line outputs and a stereo headphone jack, it has no problem feeding monitors, cans, and even CV/gate inputs on synth gear. Reference-class clocking and compliance with resolutions up to 24-bit / 192 kHz enable the interface to perform at its best, and a crisp color display shows metering for all inputs and outputs at the same time.

Big on Features, Small on Size

The Fireface UCX II is a highly integrated pro-audio solution in an ultracompact format for studio and live recordings. It continues RME’s long tradition of designing advanced compact interfaces, packing into a half-rack size unit what usually would be spread outover two or three 19″ panels.

With up to 20 channels for recording and playback, SteadyClock FS, high-performance microphone inputs, parametric EQ, dynamics processing, echo, reverb, DURec (Direct USB Recording), MIDI I/O, a powerful headphone output, and full standalone operation, the Fireface UCX II excels with RME’s highest feature-to-space ratio ever.

Special Functionality

  • Full standalone operation, no computer required
  • DURec-integrated digital recorder allows you to record directly to USB memory devices
  • All channels (20 inputs and 20 outputs) can be individually chosen for recording and playback
  • CV/gate low-latency voltage control for automating synthesizers, mixing consoles, and effects
  • SteadyClock FS reference-class digital clocking
  • USB out for ARC USB remote control (available separately)
  • Compatible with TotalMix FX for iPad
  • DIGICheck turns the interface into a highly versatile front-end for audio measurements and software development
  • Class-compliant mode for Linux environments
  • Crisp high-resolution color display shows metering for all input and output channels

Eight Analog Inputs

  • Two XLR-1/4″ combo mic/line preamps with phantom power and up to 75 dB of gain, plenty even for low-output dynamic mics such as the Shure SM7B
  • Two 1/4″ TRS inputs for balanced line-level sources or unbalanced Hi-Z instruments
  • Input sensitivity for line/Hi-Z inputs switchable to 19 or 13 dBu
  • Four rear-panel balanced 1/4″ TRS line-level inputs with up to 12 dB of gain, perfect for patching in synths or outboard gear
  • All analog inputs are digitally controlled

Eight Analog Outputs

  • Six balanced 1/4″ TRS line outputs with high dynamic range (115 dBA) and three selectable output levels (+19, +13, or +4 dBu)
  • High-power 1/4″ stereo headphone output

Digital I/O

  • 8-channel ADAT I/O via TOSLINK optical ports
  • 2-channel AES3 I/O via breakout cable
  • 2-channel S/PDIF I/O via breakout cable
  • USB Type-B host connection for Mac/Windows/Linux supports USB 2.0 and 3.0 standards

Extra Connections

  • DIN 5-pin MIDI I/O for connecting keyboard controllers, arranger workstations, and synthesizers
  • BNC wordclock jack can be assigned as an input or output
  • Barrel input for AC power adapter
Form Factor Tabletop
Channels of I/O Analog:
8 Inputs / 8 Outputs
Digital:
12 Inputs / 12 Outputs
Max Sample Rate/Resolution 192 kHz / 24-Bit
Number of Mic Preamps 2
Input Level Adjustment 1 x Knob
Expansion Slots None
Pad None
Gain/Trim Range 1/4″ Hi-Z Inputs:
+6 dB
Combo XLR-1/4″ Mic/Line Inputs:
+75 dB
1/4″ Line Inputs:
+12 dB
High-Pass Filter None
Solo/Mute None
Connectivity
Analog Audio I/O 2 x Combo XLR-1/4″ TRS Balanced Mic/Line Input (Front Panel)
2 x 1/4″ TRS Balanced/Unbalanced Line/Hi-Z Input (Front Panel)
4 x 1/4″ TRS Balanced Line Input
6 x 1/4″ TRS Balanced Line Output
1 x 1/4″ TRS Unbalanced Headphone Output (Front Panel)
Phantom Power 48 V, Selectable On/Off
Digital Audio I/O 1 x TOSLINK Optical ADAT Input
1 x TOSLINK Optical ADAT Output
1 x XLR 3-Pin AES3 Input (on Breakout Cable)
1 x XLR 3-Pin AES3 Input (on Breakout Cable)
1 x RCA Coaxial S/PDIF Input (on Breakout Cable)
1 x RCA Coaxial S/PDIF Output (on Breakout Cable)
Host Connection / USB 1 x USB Type-B (USB 2.0)
USB (Non-Host) 1 x USB Type-A (External Storage)
Sync I/O 1 x BNC Word Clock Input or Output
Network I/O None
MIDI I/O 1 x DIN 5-Pin Input
1 x DIN 5-Pin Output
Other I/O 1 x DE-9/DB-9 9-Pin Breakout Cable In/Out
Wireless Connectivity None
Performance
Max Input Level 1/4″ Hi-Z Inputs:
+13 dBu (Min Gain)
-5 dBu (Max Gain)
Combo XLR-1/4″ Mic Inputs:
+18 dBu (Min Gain)
-57 dBu (Max Gain)
Combo XLR-1/4″ Line Inputs:
+24 dBu (Min Gain)
-51 dBu (Max Gain)
1/4″ Line Inputs:
+19 dBu (Min Gain)
+1 dBu (Max Gain)
Max Output Level Line/Headphone Outputs:
+19 dBu
Headphone Output Power 210 mW per Channel into 32 Ohms (Max, 0.1% THD)
Impedance Combo XLR-1/4″ Mic Inputs:
5.4 Kilohms
Combo XLR-1/4″ Line Inputs:
10 Kilohms (Balanced)
5 Kilohms (Unbalanced)
1/4″ Line Inputs:
12 Kilohms (Balanced)
8 Kilohms (Unbalanced)
Line Outputs:
75 Ohms
Headphone Outputs:
1 Ohm
Dynamic Range Line Outputs:
115 dB (A-Weighted)
112 dB RMS (Unweighted)
SNR 1/4″ Line Inputs:
115 dB (A-Weighted)
112 dB RMS (Unweighted)
Digital Audio
Sample Rates Up to 192 kHz
Sample Rate Conversion None
Bit Depths 24-Bit
Sync Sources ADAT, AES3, Internal, S/PDIF, Word Clock
Memory Card Slot None
Compatibility
OS Compatibility macOS
Windows
Linux
Included Software None
Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software
Included Plug-Ins None
Mobile Device Compatibility None
Required Hardware Available USB 2.0 Port or USB 3.0 / 3.1 Gen 1 Port
Internet Connection Required for Registration, Software/Driver Download
Power
Power Requirements AC/DC Power Adapter (Not Included)
AC/DC Power Adapter 9 to 18 VDC (Not Included)
Power Consumption 12 W
Physical
Rackmount Size 1 RU (1/2-Rack)
Weight 1 kg

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RME Fireface UCX-II USB 2.0 Audio/Midi Interface ADAT 20X20 removeESI U-46XL USB Sound Card removeYAMAHA AUDIOGRAM 6 USB Audio Interface removeEDIROL UA-1G USB AUDIO INTERFACE removeYAMAHA GO 44 MOBILE FIREWIRE AUDIO INTERFACE removeNOVATION Nio 2|4 AUDIO INTERFACE remove
NameRME Fireface UCX-II USB 2.0 Audio/Midi Interface ADAT 20X20 removeESI U-46XL USB Sound Card removeYAMAHA AUDIOGRAM 6 USB Audio Interface removeEDIROL UA-1G USB AUDIO INTERFACE removeYAMAHA GO 44 MOBILE FIREWIRE AUDIO INTERFACE removeNOVATION Nio 2|4 AUDIO INTERFACE remove
ImageRME Fireface UCX-II Kάρτα Ήχου USB - RME
SKUJ08RM00066J08ES00028J080.00021UA-1GGO44NIO 2 4
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Price €1,449.00 incl. GR VAT €119.00 incl. GR VAT €120.00 incl. GR VAT €103.90 incl. GR VAT €249.00 incl. GR VAT €132.00 incl. GR VAT
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Description
  • Musicians, Content Creators & Engineers
  • USB 2.0 and ADAT Connectivity
  • 2 Mic/Line In, 2 Line/Hi-Z In, 4 Line In
  • 1 Headphone Out, 6 TRS Line Out
  • 24-Bit / 192 kHz AD/DA Conversion
  • AC Powered / Mac, Windows, Linux
  • Phantom Power, MIDI I/O, Wordclock I/O
  • Record all I/O to USB Flash Storage
  • Supports Standalone Operation
  • Powerful Remote Control Options
ContentDESCRIPTION The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact advanced interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels. The most powerful & portable RME Audio USB Interface : This unique audio system is capable of transferring analog and digital audio data directly to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user.
Compact, portable, and packed with features from their premier interfaces, the RME Fireface UCX II is a desktop 20x20 USB audio/MIDI interface that effectively serves as a mobile version of RME's respected UFX rackmount models, earning it the flexibility to benefit musicians, content creators, and serious engineers alike. Not only is it a capable interface with plenty of analog and digital I/O for your DAW-based productions, but it also supports powerful remote control options and standalone operation to accommodate a myriad of workflows and recording scenarios. Additionally, it can record all I/O channels directly to USB flash storage thanks to the internal DURec digital recorder. Since it has eight analog inputs—two high-gain mic/line preamps, two line / Hi-Z inputs, and four rear-panel line inputs, the Fireface UCX II can easily handle dynamic and condenser mics, electric instruments, and professional line-level devices. With six balanced TRS line outputs and a stereo headphone jack, it has no problem feeding monitors, cans, and even CV/gate inputs on synth gear. Reference-class clocking and compliance with resolutions up to 24-bit / 192 kHz enable the interface to perform at its best, and a crisp color display shows metering for all inputs and outputs at the same time.

Big on Features, Small on Size

The Fireface UCX II is a highly integrated pro-audio solution in an ultracompact format for studio and live recordings. It continues RME's long tradition of designing advanced compact interfaces, packing into a half-rack size unit what usually would be spread outover two or three 19" panels. With up to 20 channels for recording and playback, SteadyClock FS, high-performance microphone inputs, parametric EQ, dynamics processing, echo, reverb, DURec (Direct USB Recording), MIDI I/O, a powerful headphone output, and full standalone operation, the Fireface UCX II excels with RME's highest feature-to-space ratio ever.

Special Functionality

  • Full standalone operation, no computer required
  • DURec-integrated digital recorder allows you to record directly to USB memory devices
  • All channels (20 inputs and 20 outputs) can be individually chosen for recording and playback
  • CV/gate low-latency voltage control for automating synthesizers, mixing consoles, and effects
  • SteadyClock FS reference-class digital clocking
  • USB out for ARC USB remote control (available separately)
  • Compatible with TotalMix FX for iPad
  • DIGICheck turns the interface into a highly versatile front-end for audio measurements and software development
  • Class-compliant mode for Linux environments
  • Crisp high-resolution color display shows metering for all input and output channels

Eight Analog Inputs

  • Two XLR-1/4" combo mic/line preamps with phantom power and up to 75 dB of gain, plenty even for low-output dynamic mics such as the Shure SM7B
  • Two 1/4" TRS inputs for balanced line-level sources or unbalanced Hi-Z instruments
  • Input sensitivity for line/Hi-Z inputs switchable to 19 or 13 dBu
  • Four rear-panel balanced 1/4" TRS line-level inputs with up to 12 dB of gain, perfect for patching in synths or outboard gear
  • All analog inputs are digitally controlled

Eight Analog Outputs

  • Six balanced 1/4" TRS line outputs with high dynamic range (115 dBA) and three selectable output levels (+19, +13, or +4 dBu)
  • High-power 1/4" stereo headphone output

Digital I/O

  • 8-channel ADAT I/O via TOSLINK optical ports
  • 2-channel AES3 I/O via breakout cable
  • 2-channel S/PDIF I/O via breakout cable
  • USB Type-B host connection for Mac/Windows/Linux supports USB 2.0 and 3.0 standards

Extra Connections

  • DIN 5-pin MIDI I/O for connecting keyboard controllers, arranger workstations, and synthesizers
  • BNC wordclock jack can be assigned as an input or output
  • Barrel input for AC power adapter
Form Factor Tabletop
Channels of I/O Analog: 8 Inputs / 8 Outputs Digital: 12 Inputs / 12 Outputs
Max Sample Rate/Resolution 192 kHz / 24-Bit
Number of Mic Preamps 2
Input Level Adjustment 1 x Knob
Expansion Slots None
Pad None
Gain/Trim Range 1/4" Hi-Z Inputs: +6 dB Combo XLR-1/4" Mic/Line Inputs: +75 dB 1/4" Line Inputs: +12 dB
High-Pass Filter None
Solo/Mute None
Connectivity
Analog Audio I/O 2 x Combo XLR-1/4" TRS Balanced Mic/Line Input (Front Panel) 2 x 1/4" TRS Balanced/Unbalanced Line/Hi-Z Input (Front Panel) 4 x 1/4" TRS Balanced Line Input 6 x 1/4" TRS Balanced Line Output 1 x 1/4" TRS Unbalanced Headphone Output (Front Panel)
Phantom Power 48 V, Selectable On/Off
Digital Audio I/O 1 x TOSLINK Optical ADAT Input 1 x TOSLINK Optical ADAT Output 1 x XLR 3-Pin AES3 Input (on Breakout Cable) 1 x XLR 3-Pin AES3 Input (on Breakout Cable) 1 x RCA Coaxial S/PDIF Input (on Breakout Cable) 1 x RCA Coaxial S/PDIF Output (on Breakout Cable)
Host Connection / USB 1 x USB Type-B (USB 2.0)
USB (Non-Host) 1 x USB Type-A (External Storage)
Sync I/O 1 x BNC Word Clock Input or Output
Network I/O None
MIDI I/O 1 x DIN 5-Pin Input 1 x DIN 5-Pin Output
Other I/O 1 x DE-9/DB-9 9-Pin Breakout Cable In/Out
Wireless Connectivity None
Performance
Max Input Level 1/4" Hi-Z Inputs: +13 dBu (Min Gain) -5 dBu (Max Gain) Combo XLR-1/4" Mic Inputs: +18 dBu (Min Gain) -57 dBu (Max Gain) Combo XLR-1/4" Line Inputs: +24 dBu (Min Gain) -51 dBu (Max Gain) 1/4" Line Inputs: +19 dBu (Min Gain) +1 dBu (Max Gain)
Max Output Level Line/Headphone Outputs: +19 dBu
Headphone Output Power 210 mW per Channel into 32 Ohms (Max, 0.1% THD)
Impedance Combo XLR-1/4" Mic Inputs: 5.4 Kilohms Combo XLR-1/4" Line Inputs: 10 Kilohms (Balanced) 5 Kilohms (Unbalanced) 1/4" Line Inputs: 12 Kilohms (Balanced) 8 Kilohms (Unbalanced) Line Outputs: 75 Ohms Headphone Outputs: 1 Ohm
Dynamic Range Line Outputs: 115 dB (A-Weighted) 112 dB RMS (Unweighted)
SNR 1/4" Line Inputs: 115 dB (A-Weighted) 112 dB RMS (Unweighted)
Digital Audio
Sample Rates Up to 192 kHz
Sample Rate Conversion None
Bit Depths 24-Bit
Sync Sources ADAT, AES3, Internal, S/PDIF, Word Clock
Memory Card Slot None
Compatibility
OS Compatibility macOS Windows Linux
Included Software None
Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software
Included Plug-Ins None
Mobile Device Compatibility None
Required Hardware Available USB 2.0 Port or USB 3.0 / 3.1 Gen 1 Port
Internet Connection Required for Registration, Software/Driver Download
Power
Power Requirements AC/DC Power Adapter (Not Included)
AC/DC Power Adapter 9 to 18 VDC (Not Included)
Power Consumption 12 W
Physical
Rackmount Size 1 RU (1/2-Rack)

he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.

As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.

The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.

A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.

U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.

  • Electret condenser mic input
  • RCA phono type and optical-digital audio I/O
  • Headphone output
  • USB powered – no AC adapter required
  • SONAR LE for music recording, editing, and publishing on PC
  • Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support

    • Number of Audio Record/Playback ChannelsRecord: 1 pair of stereo
      Play: 1 pair of stereo
      REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting)
      REC SOURCE switch = DIGITAL: Recording only
      Signal ProcessingPC interface: 24 bits
      AD/DA Conversion: 24 bits (linear)
      * ADVANCE DRIVER switch = OFF: 16 bits
      Sampling FrequencyDigital output: 32/44.1/48/96 kHz
      Digital input: 32/44.1/48/96 kHz
      AD/DA Conversion: 32/44.1/48/96 kHz
      * ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
      Nominal Input LevelLine input jacks: -10 to +4 dBu
      Guiter input jakcs: -30 to -16dBu
      Mic input jack: -40 to -26 dBu
      Nominal Output LevelLine output jacks: -10 dBu
      InterfaceUSB Digital input (Optical mini type)
      * The same jack serves as both the Mic Input jack and digital input connector.
      Digital output (Optical mini type)
      * The same jack serves as both the headphones jack and digital output connector.
      * conforms to IEC60958 consumer format.
      ControllersADVANCED DRIVER Switch
      Guiter/Mic Switch
      INPUT VOLUME knob
      PHONES VOLUME Dial
      SAMPLE RATE Switch
      96kHz MODE Switch
      INPUT MONITOR Switch
      REC SOURCE Switch
      ConnectorsUSB Connector (B type)
      Line Input jacks (L, R) (RCA phono type)
      Line Output jacks (L, R) (RCA phono type)
      Guiter/Mic Input jack: （1/4 inch phone type)
      Mic Input jack (Plug-in powered miniature phone type)
      Digital Intput connector (Optical mini type)
      * The same jack serves as both the headphones jack and digital output connector.
      Headphones jack (Stereo miniature phone type)
      Digital Output connector (Optical mini type)
      * The same jack serves as both the Mic Input jack and digital input connector.
      Power SupplySupplied from the computer
      Current Draw200 mA
      AccessoriesOwnerʼs Manual, UA-1G CD-ROM, SONAR LE CD-ROM
      Size and Weight
      Width
      160 mm6-5/16 inches
      Depth
      58 mm2-5/16 inches
      Height
      28 mm1-1/8 inches
      Weight
      165 g0 lbs. 6 oz.

    The Yamaha GO44 is a mobile audio solution that features high quality line
    inputs/outputs and worldclass MIDI and audio recording software enabling
    professional quality recording to a computer in a very compact package that
    can be carried and used virtually anyway.
    The Yamaha GO44 boasts up to 24-bit/192kHz resolution on the analog inputs/
    outputs - the best in its class - and 24-bit/96kHz on the digital I/O. This pro-level
    quality makes the Yamaha GO44 perfect for any type of recording, and allows
    you to capture the full details and nuances of the original source - from the
    breathiness of a vocal to the delicate finger slides of an acoustic guitar performance.

    The Yamaha GO44 features 4-in/4-out multi-channel audio, with two analog phone
    jack terminals for both input and output, and special S/P DIF coaxial terminals for
    two-channel digital in/out. This device is simple and easy to use, yet provides high-quality
    recording capability - perfect not only for those who want to create music, but also
    for those who want an audio playback system for their computer that delivers
    outstanding sound quality.

    The digital outputs on the Yamaha GO44 are compatible with the AC-3 and DTS
    surround sound formats. Simply connect a surround compatible amplifier/speaker
    setup, and enjoy the powerful sonic experience of surround sound.

    Yamaha GO44 Features:
    FireWire audio interface
    Durable aluminum die cast body
    Simple, small and light weight
    2 x Balanced Line inputs / outputs
    Headphones output on Front Panel
    1 MIDI In /1 MIDI Out
    S/P DIF In/Out up to 24 bit/96 kHz
    24 Bit/192 kHz compatible

    nio 2 | 4 is a 2 In / 4 Out mobile USB interface for the modern music maker. Nio 2 | 4 features Novationʼs unique ʽDirect FXʼ technology, placing a powerful multi-effects engine within nio 2 | 4ʼs custom drivers. These effects rest close to the core of your computer, working independently of other software and providing powerful ultra-low latency effects for hassle-free, real time jamming and recording. This same unique environment ensures rock-solid, lightning-fast performance, making it the ideal interface solution for home recording, live performing and DJʼing alike; one size fits all. With two headphones outputs, itʼs also an ideal solution for the classroom environment.

    Specifications Audio Interfacing



    Inputs:
    • 1 XLR (with phantom power)
    • 1 TS Jack
    • 2 RCA Phono
    • Two inputs simultaneously only - either stereo RCA phono or the XLR and Jack


    Outputs:
    • 4 RCA Phono
    • 2 stereo 1/4" Headphones Jacks


    Digital Audio:
    • 44.1/48kHz sample rate
    • 24-bit resolution


    Other interfacing
    • Data ports: 1 x USB 1.1
    • MIDI i/o


    System requirements
    • Operating system: Mac OSX 10.3.9 or greater (Leopard also supported) or Windows XP with Service Pack 2 or greater (Vista 32/64 also supported)
    • Minimum Computer spec: Mac - G3/600MHz or G4/667MHz, both with 256MB RAM or PC - Pentium 3/500MHz/256MB RAM (machines running Vista will require a higher spec)

      Interfacing: USB 1.1 compatible USB connector (also compatible with USB 2.0), 28/24 awg USB cable recommended


    Weights and Dimensions
    • 633g
    • 45.4mm (H) x 144mm (W) x 149mm (D)

     

    Weight1 kg1.36 kg1.50 kg0.16 kg1.50 kg0.63 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 1 kg
    Weight 1.36 kg
    Weight 1.50 kg
    Weight 0.16 kg
    Weight 1.50 kg
    Weight 0.63 kg

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